Category: Latin America

‘Slaves’, migrants and museums: the struggle for places of African memory in Brazil

Posted on by Emily

A special series from the Migration Research Group of the School of Sociology, Politics and International Studies at the University of Bristol.

By Julio D’Angelo Davies.

Brazil is built on slavery. It was the Americas’ largest importer of enslaved Africans, with Rio de Janeiro serving as the country’s main port of entry. Despite receiving nearly half of these five million enslaved people, Brazil’s former capital (1763-1960) did not have a single museum nor permanent exhibition on this key aspect of its transnational history until December 2021, when the Museum of History and Afro-Brazilian Culture (MUHCAB) was inaugurated in Rio’s Little Africa neighbourhood. The black presence that is a legacy of slavery has historically been neglected or erased in ideological storytelling about the nation (Lopes de Santos, 2023). Brazil’s widespread investment in museums and simultaneous negligence of places of Afro-Brazilian memory is indicative of how it still struggles to overcome centuries of racism and inequality. The federal government’s 2023 announcement of another African heritage museum near MUHCAB suggests that the city’s lack of memorialisation of the history of slavery is gradually being rectified.

Remnants of Valongo Wharf Heritage Site in Rio de Janeiro, January 2023 (image: author’s own)

Until the 1770s slave traders’ human cargo was off-loaded at Praia do Peixe docklands then sold at Rua Direita, the main street in colonial Rio de Janeiro. But in 1774, it was determined that the Peixe docks were not the ‘appropriate’ site to receive ‘Africans arriving full of diseases and wandering naked on Rua Direita’ (Ribeiro, 2020). With a view to ‘protecting Brazilians’ Cais do Valongo was established as an alternative port of entry for the enslaved Africans, receiving around 900,000 of them in total.

Trafficked people arriving in Valongo were transferred to a quarantine hospital built by slave traders known as Lazaretto. The survivors were ‘fattened’ before being sold in commercial houses near Valongo. Those who did not survive were taken to the Cemetery of New Blacks. It is estimated that here, between 1772 and 1830, some 20,000 to 30,000 corpses were disposed of without proper burial or funeral, thrown one on top of the other and eventually incinerated. After the closure of Valongo in 1831, Brazilian businessmen continued to openly import trafficked Africans until the 1850s in remote coastal places despite the international prohibition of the slave trade.

Commercial slavery houses near Valongo, January 2023 (image: author’s own)

Today, the Institute of Research and Memory New Blacks (Instituto de Pesquisa e Memória Pretos Novos, IPN) stands above the site of the cemetery. It is one of only two places memorialising slavery in Rio and was founded in 2005 after an accidental discovery. As explained on a plaque at the museum entrance, IPN director Merced Guimarães originally bought an old house on the plot to renovate as a home for her family. On the first day of rebuilding the foundations, however, a large quantity of human remains was discovered and it was eventually concluded that this was a burial site for enslaved Africans. Dislodged from their residence, Merced’s family moved to the warehouse where their small business operated. They camped out here for four years waiting for support from municipal and federal governments to fully excavate the site and create a memorial. Tired of waiting, they returned to their plot of land. With the support of activists, researchers and friends, Merced’s family worked to create a memorial to the enslaved. Since its opening, IPN has survived with little state support and investment.

The second site of memory also derives from an accidental discovery (Andrade Lima, 2020). In the preparations to host the 2016 Olympics, the downtown streets of Rio de Janeiro were dug up to build a tram system and in 2011 construction workers uncovered the remnants of Cais do Valongo. This was designated by UNESCO in 2017 as a World Heritage Site in recognition of it being the remains of the most significant landing point of human trafficking in the Americas.

The excavations of this site, led by Brazilian archaeologist Tania Andrade Lima, found many personal objects such as charms, ornaments, small children’s rings and sacred objects from Congo, Angola and Mozambique: ‘These urban slaves did not have many belongings and everything of theirs was perishable, made of straw, of cloth. We found some elements of personal use and some objects related to children,’ Andrade Lima said in an interview to O Globo in 2014. However, these important and powerful finds still wait for a home in a permanent museum where they can be displayed to the public.

The two sites that now memorialise the lives and deaths of enslaved people arriving at Valongo are a powerful testimony to civil society and Black struggles for recognition as well as to official neglect. The fact that at the same moment as Andrade Lima’s archaeological findings were in the public eye Rio’s mayor funded the USD 100 million Museum of Tomorrow, designed by Spanish architect Santiago Calatrava, suggests that this has been a matter of prioritisation rather than lack of funds (Freelon, 2017). The long wait for a museum to house Andrade Lima’s findings, the lack of investment in the IPN and the literal coverage of Valongo by landfill are testaments to the fact that Brazil’s history of slavery has been obscured by private and public actors.

Celebrating Brazil’s ethnic and racial diversity, São Paulo and Rio inaugurated immigration museums in 1993 and 2010, respectively. Both spaces were formerly quarantine hostels for European, Middle Eastern and Asian immigrants, inaugurated in 1883 in Rio and 1887 in São Paulo. But migration has been racialised as white in Brazil. Unlike ‘slaves’, migrants are typically imagined as European bearers of the culture at the centre of the country’s ‘melting pot’. In 2004 the Afro-Brazil Museum was founded in São Paulo thanks to the efforts of Emanoel Araújo, who explains: ‘this story could not be told from the official viewpoint, which insists on minimizing the African heritage as the matrix that forms a national identity, ignoring a saga of more than five centuries of history’ (Araújo, nd). Meanwhile, Salvador, the capital of Bahia, Brazil’s blackest state, only had its Museum of Afro-Brazilian National Culture inaugurated in 2009.

Future museum overlooking Valongo, January 2023 (image: author’s own)

In March 2023, Brazil’s federal government finally announced a USD 3 million project to convert the warehouse facing Valongo into a museum, expected to be inaugurated in November 2026. The building was constructed in 1871 by Brazilian black engineer and abolitionist André Rebouças, who forbade the use of an enslaved labour force in the construction 17 years before the official Abolition of Slavery (1888). Activists and civil society refused to name it the Slavery Museum to avoid further stigmatising and dehumanising of the victims. The long wait for a museum to house Andrade Lima’s archaeological findings, the lack of investment in the IPN and the literal coverage of Valongo by landfill all highlight the fact that Brazil’s history of slavery has been sidelined by private and public actors in the epicentre of the Transatlantic slave trade. Thanks to civil society, activists and academics, the memorialisation of African heritage is gaining increasing attention in the 21st century.

Julio D’Angelo Davies is an anthropologist focussing on migrations, diasporas, gender and processes of nation-formation and racialisation. In 2022 he completed his PhD in Anthropology at Universidade Federal Fluminense (Brazil). Based on eight months of ethnographic fieldwork, his thesis discusses the formation of Lebanese diasporas in Montreal (Canada). He worked as Research Associate at the University of Bristol (2022-2024) on the project Modern Marronage?: the Pursuit and Practice of Freedom in the Contemporary World led by Professor Julia O’Connell Davidson. 

Please note, we have temporarily turned off the comment option on our blogposts while we try to deal with an overwhelming spam issue. If you would like to comment on any of our blogs please contact us by email.

Moving as being: introducing the SPAIS Migration Group blog series

Posted on by Emily

A special series from the Migration Research Group of the School of Sociology, Politics and International Studies at the University of Bristol.

By Samuel Okyere.

Welcome to the MMB special series by the SPAIS Migration Group, a collective of researchers in the School of Sociology, Politics and International Studies (SPAIS) at the University of Bristol who are engaged in researching and teaching topics related to migration and mobilities. Many members of the group are themselves migrants with first-hand knowledge of the vagaries of border controls and other experiences associated with the migrant status. Since its establishment in October 2023 the group has worked hard to establish a community for migration researchers in SPAIS as part of its remit to develop migration research and teaching within our School, University and beyond. This has been achieved through seminars, peer-support for draft scholarly publications and grant applications, and mentorship for early career scholars among other efforts. This blog series showcases some of the remarkable migration research and scholarship by our members and in so doing expresses our group’s unique identity. 

(Image by Karen Lau on Unsplash)

The phenomena of migration and the movement of people have always been inherent to the human experience. Contrary to the narrative that portrays these as recent occurrences, for centuries many groups and individuals across the world have migrated temporarily or permanently across geographic, cultural and socioeconomic borders for purposes such as education, marriage, exploration, avoiding socio-political conflicts, responding to climatic events and humanitarian emergencies, and seeking better life opportunities. The difference is that the politics, practices and attitudes towards the phenomenon of continued global migration in this era have become extremely polarised as shown by the dramatic surge in far-right parties and groups in Europe on the back of anti-immigrant sentiments and the ongoing anti-migrant riots in parts of the UK at the time of writing this post. Tensions can arise from concerns about strain on public services and infrastructure. However, the polarisation and growing antagonism towards migrants as characterised by the ‘us’ and ‘them’ sentiment is majorly underpinned by exclusion, race and racism, nationalism, islamophobia and other kinds of religious intolerance. 

The SPAIS Migration Group’s MMB blog series examines these themes and other complexities surrounding the fundamental human right and need to move. The series is timely for several reasons. Firstly, it draws on findings from recent, extensive research conducted by the group’s members in various regions including Europe, Southeast and East Asia, South America and Sub-Saharan Africa to show the globally significant nature of the issues under discussion. The contributions collectively reveal that the portrayal of migration as a crisis and the resulting moral panic are deliberate tactics aimed at limiting migrants and their rights, rather than supporting them. The series brings into sharp relief some of the anti-migrant systems that have emerged as an outcome of the portrayal of migration as a crisis.

Notably, the post by Nicole Hoellerer and Katharine Charsley underlines how bi-national couples are increasingly being pressured into marriage by the UK’s restrictive spouse and partner immigration regulations. Hoellerer and Charsley demonstrate that although the British government claims to oppose ‘forced marriage’, the timing and choice of partner for migrants are not ‘free’ but instead largely influenced by migration policies designed to address the migrant ‘crises’ or control the number of immigrants. The same systemic challenges are created by the UK’s seasonal worker visa (SWV) as Lydia Medland’s blog shows. The SWV scheme, created to fill the horticultural labour market shortage after a lack of EU nationals coming to the UK to pick fruit following Brexit, ties workers to a single employer. As widely documented with other ‘tied’ work visas, the SWV scheme, which is also aimed at preventing migrants from settling in the UK, has similarly exposed migrant workers to severe labour exploitation, worker abuse and debt. 

Secondly, this blog series provides valuable insights into how attitudes to migrants and the associated notion of who belongs or not to the nation state and under what terms are underwritten by racism and ethnic discrimination. This is revealed in Minjae Shin’s post, which discusses how debates around military service in South Korea are closely intertwined with the notion of race, ethnicity and masculinity. Popular rhetoric casts Korean nationals with dual heritage as being ineligible for the country’s mandatory military service, a way of rejecting their equality with ethnically ‘pure’ Koreans and hence their right to equal citizenship. In Brazil, Julio D’Angelo Davies’ shows that notions of ‘race’ and ‘belonging’ are implicitly inscribed through the omission of the country’s African heritage from official nation-building narratives. Migration to Brazil and the founding of the state is presented as an activity that involved white Europeans despite the evidence of the country’s multi-racial make up. The racial politics of migration in Brazil is further exemplified by Maeli Farias’ blog on the Bolsonaro administration’s approach to Venezuelan migrants and asylum seekers in that country.

Meanwhile, Magda Mogilnicka’s assessment of attitudes towards racial minorities among Polish and Ukrainian migrants in the UK offers further lessons on the inextricable links between racial or ethnic discrimination, migration and belonging. Her blog shows that some Eastern Europeans hold crude racist and Islamophobic stereotypes. However, Mogilnicka cautions against rhetoric that casts East Europeans as racists, struggling to fit into a multicultural Britian. This is not just because racism and Islamophobia remain rife in Britain itself, but also because many East Europeans eventually embrace cultural diversity and make efforts to either live in diverse neighbourhoods or make friendships with those they perceive as racially or ethnically other. 

The blogs in this series also underline how migrants in the different regions and cultures where contributors conducted their research are seeking to navigate the systems of exclusion and fundamental human rights violations that have become a normalised part of their experience. Here, our contributors interdisciplinary research and case studies reveal the ways in which experiences of migration and attitudes towards migrants are strongly linked to factors such as racial and ethnic discrimination, homophobia, Islamophobia and other forms of discrimination that construct some migrant groups as a threat and systematically exclude them from access to welfare, rights and justice. Maite Ibáñez Bollerhoff’s blog on the experiences of Muslim refugee women in Germany shows how these barriers occur at the intersection of gender, religion and refugee status. This theme is also the focus of Natalie Brinham’s post on how Rohingya refugees seek to make life liveable in a context where they have been issued ID cards that make a mockery of the principles of ‘freedom’ and ‘protection’, which the cards are supposed to offer.  

 This blog series above all underlines the SPAIS Migration Group’s identity as:  

  1. a group of scholars committed to collaboratively expanding the current theoretical, methodological and empirical boundaries for studying and understanding the lived experiences of migrants; and
  2. a group of migration scholars committed to exposing the creation and value of borders as an affront to the right to move and the wider experience of being human. 

Samuel Okyere is Senior Lecturer in Sociology at the University of Bristol where he leads the Migration Research Group in the School of Sociology, Politics and International Studies (SPAIS). His research interests include child labour and child work, migration, trafficking, ‘modern slavery’ and contemporary abolitionism. He is currently Co-I on the five-year European Research Council funded project Modern Marronage: The Pursuit and Practice of Freedom in the Contemporary World.

Samuel has written previously on the MMB blog about ‘Migrant deaths and the impact on those left behind’.

Across the waters: Caribbean mobilities, itineraries, histories

Posted on by Emily

By Orlando Deavila Pertuz and Bethan Fisk.

What stories are told about the Caribbean? What do these narratives exclude? How can we broaden the story? And how can we teach a wider vision of the Caribbean to students of all ages and wider publics?

Orlando Deavila Pertuz from the Instituto Internacional de Estudios del Caribe at the Universidad de Cartagena, Colombia, joined us at the University of Bristol in November 2023 to share his work on internal migration in Caribbean Colombia and take part in a workshop centred on how we tell stories about the Caribbean. Orlando’s perspective demonstrates the importance of including Latin American and mainland Caribbean mobilities, histories and cultural production to how we think about the region.

Orlando Deavila Pertuz shared his research on rural to urban migration from the former maroon community of Palenque, in Caribbean Colombia, to the city of Cartagena. Palenqueros, who speak their own creole language, experienced a profound racialisation with lack of access to employment and housing, and created enclaves and endogamous communities apart from the mainstream society, leading to the creation of what Deavila Pertuz calls the ‘first racial-based movements in Cartagena during the 1980s’. His work details the place of race in the production of urban space and how race guided the life experience of the rural migrants that flocked the city’s peripheries during the twentieth century.

Old city walls, Cartagena de Indias, Colombia (image: Justin Sovich on flickr)

Bridging the gap: stories from the Greater Caribbean

The Colombian Caribbean shares a common history with the islands and continental territories of the Caribbean basin. This is a history marked, mostly, by processes including colonialism, transatlantic slavery, the presence of imperial powers, the permanent flow and exchange of people, cultures, capital and goods, and, more recently, the contradictory effects of tourism development. Cartagena (or Cartagena de Indias) is a key site for understanding African diasporic and Caribbean history. The city was the centre of the Spanish American slave trade for two centuries, the colony’s most important port, home to the Inquisition with jurisdiction over the whole region, and a major place of afrodescendiente political mobilisation in Colombia’s nineteenth-century revolutionaries wars, independence and beyond. Black mobilities during and after slavery have long connected the long northern coast of South America to the islands of the Caribbean archipelago. Indeed, the Caribbean was fundamental to Colombia’s independence. When Spanish royalists defeated Simon Bolívar during the early years of the war of independence, he found asylum in the British colony of Jamaica and later in Haiti. The Republic offered ships and weapons to Bolívar so he might resume the struggle for independence. However, by the twentieth century, Colombian elites had turned their back on the Caribbean.

While nineteenth-century architects of the nation sought to de-Caribbeanise the newly named ‘Atlantic’ coast, it continued to be shaped by movements and cultural flows from and between the islands throughout the twentieth century, through labour migration—most notably West Indian workers for the United Fruit Company including Marcus Garvey—to the popularity of baseball and boxing. Deavila Pertuz asks, how do we make a history of Colombia as part of the Greater Caribbean? How do we bridge the gap that Colombian elites created since the nineteenth century?

Caribbean stories across borders

The Instituto Internacional de Estudios del Caribe, founded in 1993, has been at the forefront of the academic endeavour of reintegrating the northern coast of South America into conceptions of and studies of the Caribbean. One of the key reasons for meeting was a workshop to collectively think through how we can have broader stories about the Caribbean across borders, whether those be boundaries of empire, language or discipline, and within academia, educational institutions and beyond.

With an eye to thinking about how we can broaden understandings of the Caribbean in diverse educational settings, Deavila Pertuz traced the pioneering work of the Instituto in the creation of teaching materials. Materials included school primers entitled ‘Afrodescendants in Cartagena: A Story To Be Told’ (2011) matched with archival documents from the Centro de Documentación para la Historia y la Cultura de los Afrodescendientes en el Caribe Colombiano (CEDACC) (the Centre for Documentation of the History and Culture of the Afrodescendants in the Colombian Caribbean). Its purpose is to facilitate access for local researchers, teachers and students to archival sources held in the General Archive of the Nation in Bogotá and the General Archive of the Indies in Seville. Once established, CEDACC facilitated the creation of new knowledge, not only about the city’s history but also about these historical processes, such as the slavery, independence and colonialism that the northern coast of Colombia shared with the Greater Caribbean. In order to make this content accessible to a wider audience, the Instituto produced a CD collection with key sources of transcribed archival documents. In 2013, it also launched a short documentary series called ‘Cartagena: piel de cimarrones’, exploring histories of slavery, independence, cultural production and the experiences of Afro-Colombian women.

Towards broader Caribbean stories

The workshop in Bristol was concluded with an interdisciplinary roundtable discussion from colleagues in Anthropology, Education, English and HiPLA (Hispanic, Portuguese and Latin American Studies), along with local teachers and some brilliant year nine students. Some crucial collaborations emerged which form the basis of a future project that will bring together community groups, schools and teachers to co-produce resources for teaching a multilingual, multi-imperial and multi-ethnic history of the early modern Caribbean.

Bethan Fisk is Lecturer in Colonial Latin American History in the Department of Hispanic, Portuguese and Latin American Studies at the University of Bristol. Her research focuses on slavery, cultural geographies and the production of knowledge by people of African and indigenous descent in Colombia and the African diaspora.

Orlando Deavila Pertuz is Assistant Professor at the Instituto Internacional de Estudios del Caribe at the Universidad de Cartagena, Colombia. As a social and urban historian his work focuses on the history of the development of tourism, the informal city and the construction of race and ethnicity in modern-day Colombia.

‘We’ll double your change!’ The materiality and mobility of cash in contemporary Argentina

Posted on by Emily

By Juan Luis Bradley.

In January 2024, the Central Bank of Argentina (BCRA) announced that two new, higher denomination banknotes (ARS10,000 and ARS20,000) would be placed into circulation by the summer. The rift between the value to be printed on these notes and the highest denomination note currently available at the time of writing (ARS2,000) points to the stark inadequacy of the country’s cash in even the most mundane of everyday transactions for items whose prices have been hit by rapid rates of inflation. Consequently, the movement of cash in Argentina is characterised by obstacles arising from the very form of the cash itself. This struck me on the first day of a visit to Buenos Aires in March this year, when I found that what I had considered to be a substantial sum of pesos remaining from my last trip (in 2022) would buy me only two to three items at a local supermarket. To my further chagrin, I did not have my passport with me meaning I was unable, as a foreigner, to pay for my purchases by card. I thus had to return the items one by one until I could pay off the balance, resulting in a long queue behind me and many pointed stares.

Wads of 100 peso notes, bearing the image of Eva Perón, accumulated in change by the author in late 2022. Each note is now worth scarcely one pence (photo: author’s own, March 2024).

The main objective of my trip to Buenos Aires was to witness the everyday mobility of cash under the presidency of Javier Milei, who came to power in December 2023. Milei’s promotion of libertarian economics, currently slashing funding for national cultural bodies such as the national film agency (INCAA), is frequently justified by the argument that there is no money following the excesses of previous administrations, and that a financial ‘chainsaw’ is required to cut expenditure. More generally, however, the status of cash in Argentina has long been linked to notions of instability and inadequacy. As a virtual tour of the national numismatic museum confirms, frequent, recurring inflationary episodes from the 19th century onwards have resulted in the rapid devaluation of banknotes, leading on many occasions to the adoption of a new currency worth a thousand times the previous iteration.

In such conditions, demand for US dollars as a more stable means of investment has been high, often infamously stored under mattresses and outside the national economy. To combat this, the Cristina Fernández de Kirchner (2007-2015) administration restricted US dollar purchases from 2011 to 2015, prompting middle- and upper-class protests and encouraging informal, illegal money exchanges, whose agents operate with a more advantageous rate known as the ‘blue dollar’ (Sánchez 2017; Perelman 2021). The Kirchner and the later Alberto Fernández (2019-2023) governments attempted to remedy this by adopting differential dollar rates available to certain individuals at certain times, though this resulted in a plethora of rates (among them the ‘Qatar dollar’ and the ‘Coldplay dollar’) fostering a lingering atmosphere of low confidence in the value of the Argentine peso.  

My interest in money in Argentina stems from what I would describe as a resistant materiality in everyday cash. Given the persisting need to engage with large quantities of banknotes, whether pesos or dollars, many Argentines and foreigners alike are faced with the daily challenges of carrying, handling, counting, storing and hiding what are effectively pieces of paper (an example of these challenges is depicted in Pedro Mairal’s 2016 bestseller The Woman from Uruguay, translated by Jennifer Croft). Once I had settled into my accommodation in Buenos Aires, I set out to collect some pesos I had wired myself. This has been a common route used by foreigners to profit from juicier exchange rates and avoid card and withdrawal fees. Nonetheless, this option does involve several risks, notably the length of queuing times, the potential lack of cash to dispense and the possibility of theft on the journey home. Surprisingly on this occasion, however (and despite anecdotal evidence to the contrary), I did not face a long queue at the branch, perhaps owing to a recent measure offering foreign cardholders a much better exchange rate aligned with the financial market rate, lessening the pull of informal exchange houses for tourists in Argentina.

Once I had confirmed my identity, the agent proceeded to feed a large number of banknotes through a counting machine. Back in 2022, I was caught out by the sheer sum of the notes I would receive, leading to an uncomfortable walk back to the hotel with my jacket stuffed full of cash. This time, while armed with a large bag, I still found the piles of banknotes difficult to calculate, meaning I would always prefer to carry much more than necessary to the shops. Receiving change was also often troublesome: cashiers would often ask me for one note back to reduce the total number of notes returned, but most notes were of so little value that they did nothing but clog up my wallet. At one point, when I was owed 10 pesos in change (less than 1 pence), I was instead offered a voucher redeemable for 20 if I shopped with the supermarket again. While the voucher proclaimed excitedly that my change would be doubled, the scale of that doubling was much less exciting.

Thankfully, my trip also allowed me to think about things other than cash, with highlights including the annual conference of the Argentine Association of Audiovisual and Film Studies, an excellent Borges-themed production at the Teatro San Martín, and a productive discussion with several students of Dr Valeria Llobet at the Universidad de San Martín. However, as stormy weather delayed my return flight by 24 hours, I couldn’t help reflecting on how my daily experiences with money in Argentina challenged the common associations of currency with the purely abstract and symbolic, particularly in those countries, such as the UK, where cash payments are dwindling. Rather than thinking of money solely as a neutral, universal equivalent – the ‘colourless tool’ described by Georg Simmel in his landmark The Philosophy of Money – the case of Argentina prompts me to consider cash as a thoroughly material obstacle to be navigated not just mentally, but physically.

Juan Luis Bradley is a PhD researcher at the Department of Hispanic, Portuguese and Latin American Studies, University of Bristol. His research explores depictions of the everyday materiality of money in Argentine literature and cinema from the 1990s to the present, with a focus on the affective implications of Argentine money in crisis for those who negotiate it.

For other recent MMB blogposts on Argentina read Jo Crow’s post on ‘(Im)mobility in Buenos Aires (1929-2023)‘.

Chilean exile in the UK: music, memory and the making of futures

Posted on by Emily

By Simón Palominos Mandiola.

In 2023, Chileans worldwide marked the 50th anniversary of the 1973-1990 civilian-military dictatorship, which aimed to dismantle decades of progress in wealth redistribution, cultural development and democratisation in Chile. Alongside arrests, torture and murders, exile became a widespread repressive tactic, with over 200,000 individuals forced to leave, significantly altering migration patterns. This, combined with restricted immigration policies based on a narrative of national security, resulted in Chile experiencing a negative migration rate for the first time in the history of national records. Exile, a tragedy marked by state aggression, led to family separation and uncertainty in foreign lands.

The concept of exile, along with migration, understands individuals as bound within national borders, often portraying migrants as anomalies in their new societies. This prevailing national lens in social sciences introduces the epistemological bias of methodological nationalism, limiting interpretations of mobility. Scholars such as Nina Glick Schiller and others advocate for a transnational approach, highlighting the re-creation of societies of origin in new environments. Alternatively, John Urry proposes a focus on mobilities, prioritising movement over fixed points. Understanding migration within regimes of mobility that promote, force or hinder mobility, as described by Glick Schiller and Noel Salazar, acknowledges the power dynamics affecting movement. This mobility paradigm underscores politics, economics and culture in reshaping human migration. The arts, notably music, also significantly influence this phenomenon.

Thousands of Chileans found refuge in Latin American and European countries during the dictatorship. Musical artists such as Isabel and Ángel Parra, Patricio Manns, Quilapayún, Inti-Illimani and Illapu, among other members of the New Chilean Song movement, found asylum in countries such as France, Germany, Sweden and Italy. In these countries, solidarity movements emerged involving artists, activists and workers who collaborated with local trade unions, intellectuals and political parties. Drawing from Chilean culture, particularly music, poetry and gastronomy, this solidarity movement fostered a sense of belonging and garnered European support. The movement established an international network, facilitating artist circulation and making the Chilean political situation visible in Europe.

Promotional brochure for the Inti-Illimani concert in Bristol, 1984 (Source: Carmen Brauning personal archive)

During this time, around 3,000 Chilean refugees arrived in the United Kingdom. In October 2023, at the University of Bristol, we came together with three members of this Chilean community residing in the UK to explore how musical practice serves as an exercise of memory that shapes new futures. Language specialist Carmen Brauning and photographer Luis Bustamante shared the solidarity work they have carried out in Hull and Bristol since arriving in the UK in 1974 through a grant from the World University Service. In 1983 Carmen and Luis organised a concert in Bristol with the group Quilapayún and in 1984 another concert with the group Inti-Illimani.

The organisation of the concerts proved to be challenging due to the diverse experiences of mobility and political strategies of the Chilean community in Bristol. Despite the challenges, the events provided a way not only to keep a connection with Chile, but also, crucially, to portray the resilience of the community in the UK. Stefano Gavagnin et al. have suggested that these community organisations carry out supportive activities for other more crucial ones in the musical field, such as musical performance itself. However, I agree with Ignacio Rivera-Volosky that these organizations are part of musical, identity and political performance in both Chile and the UK. In this sense, the concerts in Bristol mark the end of what we can call the period of the ‘closed suitcase’, of the hope of a prompt return to Chile, and inaugurate the period of the ‘open suitcase’. From there, the Chilean community, now also British, had to face the challenge of their own uncertain future and that of their children in the UK with courage. To this day, Luis uses his camera to portray social movements in Europe and Latin America. Meanwhile, Carmen has taught at the University of Bristol, and she continues welcoming international students and inspiring future artists and researchers.

Another speaker at our event was Mauricio Venegas-Astorga. A musician inspired by the New Chilean Song movement, Mauricio arrived in the UK in 1977. He has collaborated with Chilean and British artists in groups such as Incantation and Alianza, and with British composer Richard Harvey and Australian guitarist John Williams, among others. Mauricio’s music blends Latin American and European folk influences, incorporating elements from the Western canon and electronic music. His compositions avoid essentialist portrayals of origin, focusing instead on narratives of movement and transformation. Thus, the artist’s work creates a new space in which the experience of exile, migration and identities – inhabited both in Chile and the UK – can coexist.

Poster for the sixth Voces Festival in 2023, organised by Quimantú (Source: Quimantú)

Since 1981 Mauricio has led the group Quimantú, which comprises members from Latin America and Europe. Through the group he fosters a diverse musical landscape and promotes cultural exchange through educational programmes and festivals. Examples of this are the Ethnic Contemporary Classical Orchestra (ECCO), composed of children and young people of various nationalities, and the Voces Festival, created to give space to Latin American artists living in the UK. Through the use of different musical languages and instrumentation, the work of Mauricio, Quimantú and ECCO contributes to erasing borders and creating a collective musical experience. Their work helps us imagine a society in which we recognize differences without building hierarchies. Earlier this year I recorded an interview with Mauricio, along with Quimantú members Laura Venegas-Rojas and Rachel Pantin, where we delve deeper into their mobile experience and the significance of their work. You can listen to our conversation here.

Carmen, Luis and Mauricio’s stories are just a few among many. Numerous individuals and organizations strive to preserve memory and address contemporary issues in Chile, the UK and beyond. Examples include the El Sueño Existe festival in Wales, the media outlet Alborada, Bordando por la Memoria project, and the Chile Solidarity Network. Their efforts illustrate how remembering reshapes the experiences of Chilean and British communities in the UK within the unequal mobility regime established by exile. Memory is not merely a transnational re-creation of Chile but a recognition of past and present experiences, shaping future narratives beyond exile. Through music, arts and culture, memory guides us in envisioning new futures.

Simón Palominos Mandiola is a PhD student at the Department of Music, University of Bristol and the MMB Early Career Representative. His research addresses the narratives, representations and performances of migrant music in Chile. Simón has previously written for the MMB Latin America blog on ‘The limits of interculturality: migration and cultural challenges in Chile‘.

(Im)mobility in Buenos Aires (1929-2023)

Posted on by Emily

By Jo Crow.

I travelled to Buenos Aires, Argentina, in November 2023 to research the First Conference of Latin American Communist Parties, a key transnational meeting that took place in 1929. I also presented my work at the Universidad de San Andrés, thanks to an invitation from the head of its History postgraduate programme Dr Eduardo Zimmermann, and met with Dr Gimena del Rio Riande, President of the Argentine Association of Digital Humanities, who has made critical contributions to global debates in this dynamic and burgeoning field.   

I thought a lot about mobility and movement (or lack of it) on this trip. Immigration at Buenos Aires Ezeiza International Airport was quick and easy for me. The immigration officer politely asked about the purpose of my trip and was intrigued by my interest in Argentine history. We spent longer talking about the latter than we did about where I was staying or how long my stay would be. I wondered if such a swift and friendly border-encounter was enabled by my whiteness, academic title and British passport. I tried to picture what the process was like for the international delegates arriving in Argentina (by land or sea) for the Conference of Latin American Communist Parties nearly a century earlier. They may well have experienced class- and race-based barriers. Their biggest problem, however, was probably party-political affiliation: many delegates represented illegal and persecuted Communist Parties and travelled to Buenos Aires incognito, crossing borders without Argentine and other state authorities knowing.

Statue of Nicolás Avellaneda, President of Argentina (1874-1880), in the main square of Avellaneda (author’s photograph, 2023)

The conference’s main discussion sessions took place in the premises of the Avellaneda district committee of the Communist Party of Argentina (PCA) (Jeifets and Jeifets, 2023). When I first started researching this transnational meeting, I imagined Avellaneda as a peripheral space, an industrial suburb on the remote outskirts of Buenos Aires. But, in fact, it is one of the most important municipalities of Buenos Aires Province – just as it was a hundred years ago. In the 1920s, it had not just one, but two major football stadiums. It was also home to the Central Produce Market, Argentina’s largest wholesaler, as well as major textile mills, meat-packing plants and grain-processing centres.

I walked from central Buenos Aires to Avellaneda to find the building of the PCA’s district committee. I also walked around central Buenos Aires, looking for the offices of La Correspondencia Sudamericana, the official mouthpiece of the South American Secretariat (SSA) of the Communist International, which organised the 1929 conference together with the PCA. The SSA was set up in 1925 with its headquarters in Buenos Aires, and the address of its magazine was printed on the front cover: first on Calle Estados Unidos, then, by the time of the conference, on Avenida Independencia (see images below). Both are major thoroughfares traversing this port city. Whilst many delegates at the conference represented Communist Parties (or SSA-affiliated parties) that were banned and operated underground elsewhere on the continent, the PCA and the SSA were functioning relatively openly. Being able to visit the offices where the SSA published its magazine in the 1920s and hearing the clamour of the space and watching people move through it helped me to appreciate how much the Communist Party was beginning to become part of everyday life in Buenos Aires in that period.

La Correspondencia Sudamericana No. 2, April 1926
La Correspondencia Sudamericana No. 16, August 1929

But the Argentina of 1929 was very different to the Argentina of today. In the early twentieth century, it ranked among the ten richest economies in the world (Scobie, 1971; Rock, 1993). In the twenty-first century, Argentina is routinely viewed as part of the ‘developing world’, ‘Third World’, or ‘Global South’ (Beattie, 2009). Its current inflation crisis and expanding recession – one in a succession of economic crises in modern Argentine history – have made headlines around the world. In the early twentieth century, by contrast, millions of people from Europe – especially from Italy and Spain – migrated to Argentina in search of a better life. The country was home to the largest number of immigrants after the United States. Now it is experiencing a wave of emigration to Europe and North America, as it did in in the early 2000s. This option is not available to all, however. More than 50% of the population are living in poverty (Calatrava, 2024) and don’t have the means to travel to the Global North.

The economic crisis is one of the reasons that right-wing libertarian Javier Milei won the presidential elections in November 2023; the election was the day I flew home from Buenos Aires. Since taking power, Milei has introduced ‘shock therapy’ reforms and issued a sweeping (and, according to some Argentine judges, unconstitutional) presidential decree deregulating vast swathes of the economy. This response to economic turmoil – standstill or, indeed, shrinking of the economy – impacts public cultural institutions, research institutes and universities enormously. Some recently appointed staff have been dismissed, many of those with job ‘security’ have seen their salaries suspended, and funding for doctoral scholarships has been slashed (see the recent article in Nature: ‘Despair’: Argentinian researchers protest as president begins dismantling science).

Just before leaving Argentina, I met with Gimena del Rio Riande, Researcher at CONICET (Consejo Nacional de Investigaciones Científicas y Técnicas) and Director of the Digital Humanities Lab at the IIBICRIT (Instituto de Investigaciones Bibliográficas y Crítica Textual). We spoke about the economic crisis and people feeling trapped. We also spoke about the state of the field of Digital Humanities – the huge potential for doing exciting research (for example, having on-line access to medieval texts and being able to read them as a full corpus in new ways) but also the limitations and problems, not least the emphasis on ‘thinking big’, which sometimes risks sidelining the concrete detail, the specifics of our primary source materials, or the focused questions (about people, places or texts) that interest us as individual researchers. Large-scale, multi-partner teams can move things on at a tremendous pace, but individual interventions and viewpoints can get lost, overlooked or stuck within these.

We also discussed the linguistic and social inequalities bound up in a field that continues to be dominated by the Anglophone world and often depends on expensive infrastructures. Dr del Rio Riande has published extensively in both English and Spanish on some of these issues (for example, Global Debates in the Digital Humanities, Digital Humanities Quarterly, and ¿En qué lengua citamos cuando escribimos sobre Humanidades Digitales?). We hope to welcome her here to the School of Modern Languages and MMB in the summer, to give a talk on Digital Humanities in Latin America and lead a workshop on open research practices.          

Jo Crow is Professor of Latin American Studies at the University of Bristol and Associate Director (Research Development) of MMB. Her current research investigates the production of knowledge and circulation of ideas about race through four international congresses in twentieth-century Latin America. Her latest book is Itinerant Ideas: Race, Indigeneity and Cross-Border Intellectual Encounters in Latin America (1900-1950) (Palgrave Macmillan, 2022). Read more about it in Jo’s previous MMB blogpost, ‘Roots and routes: debating indigenous rights in twentieth-century Latin America.’

Obstacles and aspirations: stories from young refugees in the UK education system

Posted on by Emily

By Jáfia Naftali Câmara.

‘Refugee Stories: Education: Obstacles and Aspirations‘ draws on findings from my doctoral research project on young refugees’ educational experiences in the UK. The study investigated how young refugee people and their families have encountered the education system while considering the implications of living as refugees in England. Young refugee people’s right to education is enshrined in British law; however, the UK has no specific educational policy for them.

Invisibilizing practices add to the silence around their experiences and needs. ‘Refugee Stories’ tells young refugees’ and families’ stories to amplify their voices and shine a light on the social and material conditions they experience.

How ‘Refugee Stories’ was born

Cover of ‘Refugee Stories’ (illustration by ARC Studios in collaboration with participants and Jáfia Naftali Câmara)

I volunteered as an English as an Additional Language (EAL) tutor to young refugees at a secondary school in the South of England. I also volunteered at local organizations advocating for refugee people and fundraising to facilitate their access to phones and internet at home. Through volunteering, I built connections with three families who expressed interest in participating in my research. While most research tends to be school-based, I focused on working directly with families to understand how they encountered England’s education system. Particularly, I was interested in how policy meets lived experience. The mothers often asked me to help their children with their homework or to help them access technology to continue remote schooling. I maintained contact with families and provided support when they needed it throughout the COVID-19 pandemic and the lockdowns implemented in England.  

As part of my methodology, I enacted an ethics of care by trying to mitigate some of the challenges they endured. Refugee families, including asylum seekers, may have limited access to resources and technology at home. Therefore, remote schooling was very challenging for them because they did not have reliable access to computers, phones and internet, and they also struggled to pay for data for their cell phones. As part of my research and commitment to support them, I tried to highlight their hardships and amplify their voices, as in this article, I co-wrote with Maria, a mother seeking asylum who participated in the study.   

Creating ‘Refugee Stories’ with families to highlight their experiences and perspectives was essential to my methodology and ethics of care. My approach to critical ethnography was to go beyond simply observing and interviewing participants but also to try and address some of the hardships that families experienced. In addition to providing schoolwork and English language support, I facilitated one family’s access to a laptop and a phone, books and art supplies for all the young people, data for their phones and access to extra-curricular activities such as football lessons. I dedicated time weekly to helping one family use their new laptop and new software needed for their schooling, including MS Teams, sending emails, creating Word and PowerPoint files and attaching files to email messages. When their schooling shifted online, young people were expected to know how to do those tasks, but some had never done it before.  

Page from ‘Refugee Stories’ (illustrations by ARC Studio in collaboration with participants and Jáfia Naftali Câmara)

As a migrant from a working-class family from the so-called ‘global south’, I understood some of the challenges that the families lived through. We developed a connection of mutual care. The mothers often cooked meals and invited me to have lunch or dinner with them. One mother baked a cake for my birthday, and their children wrote me Christmas cards and ‘thank you’ notes. ‘Refugee Stories’ was part of my methodological approach to amplify young people’s and their families’ perspectives and experiences and communicate research findings beyond academia. It was an art-science collaboration to make research findings more accessible. For example, the young people chose their pseudonyms, the appearance of their characters and what they wanted to highlight to readers. ‘Refugee Stories’ was funded by the University of Bristol’s Temple Quarter Engagement Fund, allowing me to involve families in creating the zine and pay them an honorarium for their time. 

Using ‘Refugee Stories’ for teaching and learning  

I am interested in learning how educators and students may find the zine useful for their practices. I point to a few goals I have for how this zine may support learning in classrooms:  

I adopt anti-colonial and anti-racist perspectives. The zine prompts us to consider how education can acknowledge the UK, EU and US colonial histories and imperialism that permeates today, including the militarization of borders and the criminalization of migration. Colonial histories and imperial violence need to be acknowledged in education systems. 

The zine could lead to discussions on what causes people to leave their homes, migration histories, how refugees are created, and the challenges they experience trying to find safety. For example, Muhammad, a young Iraqi man portrayed in the zine, often talked about the history of Iraq and the US invasion of his country. Muhammad also highlighted that his history classes mainly studied Europe and World War II. While interesting, he wanted more history about the world, including Mesopotamia. Muhammad’s reflections indicate the need to challenge the Eurocentric nature of curricula in Western countries – what knowledge(s) and histories are erased? Whose voices are silenced?   

The zine can provide resources that connect to students’ realities. I learned from my research that curriculum content is often disconnected from young people’s realities. A young man from Eritrea in secondary school discussed that he had to annotate Shakespeare’s poems while learning to write for the first time in his third language, English. His teacher was aware that he struggled but was not aware why he faced difficulties to follow her instructions. She had no idea about his previous experiences, including that he had never been taught how to write. Resources like this one can offer mirrors of students’ own experiences, while offering windows for other students into refugee students’ lives.  

The zine can support educators in understanding the knowledge refugee students bring to the classroom. Schools may view refugee learners through a deficit-based lens and focus on what they ‘lack’: insufficient English language proficiency, no ‘formal education’, limited schooling or viewing learners through a lens of ‘trauma’. Young refugee learners bring essential knowledge(s) and different ways of knowing, being and doing. They may still be learning English but often speak or understand various languages. As demonstrated in ‘Refugee Stories’, young people are resourceful and active agents in creating their networks, helping their parents learn the language and their new country’s systems, and studying independently. England is very institutionally monolingual. Talking to the young people who participated in the study, I learned that some educators might have deficit-based views of families who speak their first language at home rather than English, thinking that the young people may struggle to learn English because they speak other languages at home. In this study, some young people were influenced by that and often stopped using some of their languages to prioritize speaking in English more often. ‘Refugee Stories’ could be used to discuss various themes such as language and multilingualism, migration and colonialism. 

I welcome your thoughts on these issues and how you may use ‘Refugee Stories’ for teaching and learning. 

READ THE COMIC HERE

Jáfia Naftali Câmara is a Brazilian scholar and Research Fellow at the Centre for Lebanese Studies, Faculty of Education, University of Cambridge. She received her PhD from the University of Bristol with a thesis on ‘Refugee Youth and Education: Aspirations and Obstacles in England’. She is currently undertaking a study on education in emergencies focusing on Brazil and other Latin American countries. 

This blogpost was originally published by the Harvard Graduate School of Education REACH programme (Research, education and action for refugees around the world) under the title ‘Refugee Stories: Education: Obstacles and Aspirations.’

Invisible: domestic workers’ commutes in Latin America

Posted on by Emily

By Valentina Montoya Robledo and Rachel Randall.

Read the Spanish version here.

Domestic workers make up one in every five working women in Latin America, totalling approximately 13 million individuals. In recent decades, a significant transformation has occurred as many domestic workers have shifted from living in their employers’ homes to commuting daily from their own residences due to rapid urbanization processes. Latin America became the most urbanized region in the world in 2014. By 2020, 83% of domestic workers in Colombia, for example, resided in their own homes. Their precarious earnings and the fact that more than 80% of them are informal workers, however, have forced them to live in city outskirts. Both their homes and the households where they work often lack proper connections to public transport as well as pavements for pedestrians, making their lengthy commutes both time consuming and expensive.

(Image: from Invisible)

This shift has led to extensive commuting times across Latin America, with domestic workers’ journeys reaching up to seven hours per day in Bogotá, six hours in Lima, five hours in São Paulo (Montoya Robledo, forthcoming) and three and a half hours in smaller Colombian cities like Manizales. According to Bogotá’s 2015 Mobility Survey, domestic workers have the longest commutes among all urban occupations in Colombia. In many countries they also allocate a significant portion of their income to cover transport costs: 36% in Lima, for example, and 28% in Medellín. During these prolonged journeys, domestic workers often face racial discrimination, gender-based violence, common crime and road safety concerns.

These hardships not only risk domestic workers’ safety but also hinder their access to a range of opportunities from education to leisure to political participation. And yet, local governments in Latin America frequently overlook their situation. The Invisible Commutes project was set up in 2019 to shed light on this critical issue, starting with a documentary about domestic workers’ concerns, which was expanded into a transmedia project in 2020. Collaborating with musician and cultural manager Andres Gonzalez and filmmaker Daniel Gomez, the project aims to raise awareness not only among scholars but also the general public and mobility experts about domestic workers’ limited Right to the City in Latin America.

Invisible Commutes uses various media to depict domestic workers’ expensive, violent and lengthy commutes in order to advocate for their Right to the City. The project includes short audio segments featuring their testimonials, which focus on their experiences when commuting and their perspectives on mobility infrastructure projects. It includes a section on the maps that domestic workers have drawn of their commutes. The project also produces opinion pieces and journal papers, and engages in academic, civil society and local government discussions. Recognized in 2023 as a ‘Remarkable Feminist Voice in Transport’ by Tumi and Women Mobilize Women, Invisible Commutes is a comprehensive effort to address transportation injustice for millions of women.

Filming for the Invisible Commutes documentary, Invisible, has taken place over an extended period, beginning in 2019 with a focus on Reinalda Chaverra, a domestic worker based in Medellín. In 2022 filming continued in Bogotá with domestic worker Belén García. In 2023, Invisible Commutes was awarded funds by Migration Mobilities Bristol to complete the documentary short and hold a workshop with the Afro-Colombian Union of Domestic Workers (UTRASD) in Medellín.

The workshop explored how domestic workers themselves want to see their commutes represented on screen and enabled their voices to feed into the form and content of the final documentary. This was crucial for us because, despite a recent upsurge in Latin American films that focus on domestic worker protagonists, almost none depict the workers’ lengthy and challenging commutes. It is widely acknowledged that these films tend to be made by directors whose perspectives are more closely aligned with those of employers, rather than employees. They often dramatize the dynamics of employer-employee relationships within employers’ homes by taking live-in domestic workers as their protagonists, as is the case, for example, of Alfonso Cuarón’s Roma (2018) and Anna Muylaert’s The Second Mother (2015). In reality, hourly paid roles are becoming more popular than live-in forms of domestic work, as this report focusing on Brazil also shows. When we talked about the lack of visual representations of domestic workers’ commutes at the workshop, one participant explained that it is not convenient for employers to acknowledge the long, challenging and costly journeys that their employees have to undertake because it raises the question of how these commutes should be compensated.

As a starting point for our discussion, we watched clips from the film Roma, which focuses on domestic worker Cleo. Set in the early 1970s in Mexico City, Cleo’s story is strongly inspired by the real experiences of Liboria Rodríguez who was employed by director Alfonso Cuarón’s family when he was a child. Although Roma risks reinforcing a narrative in which its protagonist is both celebrated as, and relegated to, the status of a surrogate member of her employer family, the way the film dwells on Cleo’s gruelling routine maintaining an extensive house and supporting her employers’ four children sparked strong affective responses among the workshop’s participants. Some addressed the negative implications this kind of workload has for managing to exercise or relax, while others reflected on the impact it has for workers’ relationships to their own loved ones, namely their children.

Many of the insights that fed into Invisible were, nonetheless, provoked by the participants’ reflections on the differences between their experiences commuting and those depicted in one of the only Latin American films that focuses on this topic. Rodrigo Moreno’s Réimon (2014) traces the lengthy journeys undertaken by its protagonist Ramona, an hourly-paid cleaner who commutes on public transport from her home on the outskirts of Buenos Aires to her employers’ upmarket apartments in its centre. Like Roma, Réimon also dwells on the details of Ramona’s work and routine. One workshop participant praised the grace and elegance that characterises Ramona’s portrayal: she is always nicely dressed and well presented. The importance of this became clear as multiple participants spoke about how the distance that they need to walk across difficult terrain to catch initial transport links means they are forced to arrive at work with unclean clothes, suffer rude comments from other commuters, or take a cloth with them to try and wipe off the dirt. The dignity of Ramona’s depiction resonated with UTRASD members who shared experiences of having been denigrated by others due to their occupation and discriminated against on the basis of their race.

One participant also noted that Ramona does not appear to feel afraid walking through the city in the dark of the early morning, while the participant herself has often feared being attacked. Ohers attested to how common it is to be sexually harassed or assaulted on public transport. Another participant observed that Ramona is shown getting a seat on the train, while the buses they catch are so full at peak times that they must always stand.  

In response to these challenges, Invisible concludes with the changes that UTRASD members themselves would make to improve domestic workers’ experiences commuting to their employers’ homes. These include: building more public bathrooms in stations and across the city; introducing women-only carriages; giving domestic workers preference in queues at peak times; and subsidising public transport for domestic workers or introducing forms of transport specifically for them. The final three proposals would likely require individuals to register formally as domestic workers, which would be a positive given the challenges that widespread informality brings across the sector.

We hope that the documentary encourages policy makers and urban planners to take up their proposals and continue hearing what they have to say.

Invisible (Valentina Montoya Robledo, Daniel Gómez Restrepo and Andres Gonzalez Robledo 2024) will have its UK premiere at the University of Bristol on 31 January 2024.

Valentina Montoya Robledo is a Senior Researcher in Gender and Mobility at the Transport Studies Unit (TSU) at the University of Oxford. She directs the transmedia project Invisible Commutes on domestic workers’ commuting experiences. Her most recent paper is ‘That is why users do not understand the maps we make for them’: Cartographic gaps between experts and domestic workers and the Right to the City.

Rachel Randall is Reader in Latin American Studies at Queen Mary University of London (QMUL). Her book, Paid to Care: Domestic Workers in Contemporary Latin American Culture is published this month by the University of Texas Press. It explores the struggles of domestic workers in Latin America through an analysis of films, texts and digital media produced with them or inspired by their experiences. The book is available now with a 30% discount using the code UTXM30 by ordering online in the UK and Europe and in the US and Latin America. 

Further MMB blogposts about domestic workers in Latin America include Rachel’s post on ‘Domestic workers and COVID-19: Brazil’s legacy of slavery lives on,’ and ‘The dangers of staying home: lockdown deepens inequalities in Brazil,’ by Fernanda Mallak, Isabela Vianna Pinho and Thalles Vichiato Breda.

The ethics of mapping migrant violence through Mexico

Posted on by Emily

By Sylvanna Falcón.

From October 2021 through to May 2022 undergraduate students from the University of California, Santa Cruz, and the University of California, Berkeley, participated in a human rights investigation with Human Rights First (HRF) and El Instituto para las Mujeres en la Migración, AC (IMUMI, The Institute for Migration of Women). Under the direct supervision of university staff, we became part of a binational team (US and Mexico) to track incidents of violence in Mexico affecting non-Mexican migrants, many of whom were asylum seekers, that were being captured online, primarily through news reports or social media posts.

Student researchers used open-source investigation techniques to identify incidents of harms committed against migrants in Mexico. These techniques refer to methodologically accessing publicly available information on the internet, including online news articles, non-governmental or other expert reports, and social media content. For research purposes, the team collated and synthesized this information systemically and went through a process of verification on as many incidents as possible during the research period.

Police vehicle parked in front of a migration encampment in Tijuana, Mexico (image: Barbara Zandoval published on June 19, 2021)

With a primary focus on US President Biden’s administration, which began in January 2021, the students identified more than 400 unique incidents of violence targeting migrants since the start of Biden’s presidency, from reported kidnappings, extortion, and death to allegations of widespread corruption of government officials working alongside drug traffickers. Students recorded all incidents in a shared spreadsheet and tried to verify as many of them as possible. In addition to vetting the source of the information itself, verification meant that students would locate additional online material about a specific incident in order to have more confidence that the incident indeed occurred.

But what to do with all the collection of incidents? How to communicate this information to the general public in an ethical way? What do we gain or lose by depicting migrant violence in a data visualization project? For what purpose, what audience, does this form of documentation serve? Each organization in this partnership had a different purpose for participating in the project. For university students, it was a unique learning experience to systemically collect this kind of online information. HRF, based in the United States, was in need of additional research support to document these cases to put pressure on the US government to change its immigration policies to align with human rights standards and for IMUMI, based in Mexico, the plight of migrant women is their primary focus through advocacy and education efforts.

As we all began to think about the most effective method in which to share this information publicly, the desire to go beyond a text-based report seemed important given the university’s access to various data visualization options. As we agreed to create a digital story and digital map of the incidents, students began to reflect on the ethics of this work, asking pointed questions about the purpose, the desired outcome, and whether or not data visualization results in dehumanization of the migrants. As I navigated these thoughtful queries from students, I encouraged them to acknowledge the various sentiments they felt about the research project itself and about these final deliverables. In the digital report titled ‘Perilous Journeys: Migrants Vulnerable to Violence through Mexico’ they wrote, in part,

Many of us are undergraduate researchers from migrant families with ties to Latin American countries. The cases the team reviewed have evoked feelings of both accomplishment and powerlessness. While proud to help to document the migration-related trauma that is familiar to many of our families and loved ones who have faced migrant-related trauma, our constant exposure to the quantity and severity of these instances is felt on an even deeper emotional and personal level.

Acknowledging their relative privilege by being university students in the United States, the students felt it important to include in the report the following line: ‘As researchers, we cannot stress enough the importance of remaining cognizant of the real names, faces, and lives behind the work we present in this report.’ 

The ethics of visualizing the data remained front and centre during the duration of the project. And the questions of ethics were multi-layered: from knowingly exposing students to graphic material on a regular basis, from understanding that the material could be mis-used if not careful about the presentation, to inadvertently exposing the safety areas for migrants to authorities, and, most importantly, unintentionally dehumanizing the plight of migrants through dots on a map.

In the end, a data visualization project that turned into a digital report conveyed an ideal synergy between text-based information and learning about the incidents on a map so that readers could geographically situate where the reported incidents occurred. The students opted to add different color markings on the map to distinguish incidents and, moreover, to aid people’s understanding that the extent of the problem is throughout the country of Mexico. Both HRF and IMUMI felt this presentation of the research aided them in their own efforts to raise awareness of migrant violence and to call for change.   

Sylvanna Falcón is an Associate Professor of Latin American and Latino Studies at the University of California, Santa Cruz. Trained as a sociologist, Professor Falcón is the founder and director of the Human Rights Investigations Lab at UC Santa Cruz. She is a visiting scholar at the University of Bristol, hosted by MMB, from October to December 2023.

From Bristol to Brasilia: collaborating on migration and mobilities research

Posted on by Emily

By Anamaria Fonsêca.

In April this year I visited the University of Brasilia (UnB), Brazil, with Professor Foluke Adebisi from the Bristol Law School to take part in a series of lectures organised by the postgraduate programmes in Law and in Human Rights. I have been collaborating with UnB’s Research Group on International Private Law, International Trade and Human Rights since the outbreak of the pandemic to develop research that builds bridges between Brazil and the UK. The invitation to visit UnB this year was an opportunity to advance this work and the internationalisation of both UnB’s and the University of Bristol’s research.

UnB is among the top five universities in Brazil, excelling in terms of internationalisation, affirmative action programmes, research quality and teaching standards. Our visit specifically aimed to establish a dialogue between the Bristol Law School (through Foluke) and MMB (through me) and the Law School of UnB and their internationalisation department. Foluke brilliantly lectured and established dialogues on law, legal education and decolonisation, while I was responsible for diffusing preliminary results from my doctoral research, specifically on the topic of ‘Creating Immigration Hostile Environments: A Case Study from England’. The aim was to draw parallels between the legal and public policy frameworks of countries in the global north, such as the UK, and countries in South America, such as Brazil, which has had its refugee reception policies significantly affected by the change of government in recent years. The aim was to think about how political ideologies through political parties interfere in the establishment of mechanisms for the implementation and promotion of human rights, in this case specifically for asylum seekers and refugees.

University of Brasilia (image: Ray Fernandes)

Addressing the creation of hostile environments for migrants is impossible without raising three key issues: the concept of national sovereignty; the Western geopolitical perspective on human rights; and xenophobia and racism rooted in a superficial lack of identification with the ‘other’, whether due to physical characteristics or their social, economic and political contexts.

Many cases of migration are a post-colonial phenomenon, which continues to link the colonising nations and those previously colonised. The presence in the UK, for example, of people whose origins are not far removed from Africa, Asia or Latin America reflects the ties created by the British empire. With this in mind, I began my presentation with a case study of England, the first country to talk openly about the creation of a hostile environment for migrants after Theresa May, then-Home Secretary, coined the term during a period of heated debate about migration in the UK.

At UnB we were welcomed by Professor Inez Lopes Matos, coordinator of the Research Group on International Private Law, International Trade and Human Rights. Professor Loussia Felix and Professor Menelick de Carvalho Netto also took part in the panels involving the decolonisation of legal education and the decolonial approach to the category of asylum seekers and refugees. This deepened and refined discussions and demonstrated how much the approach of MMB can be strengthened through partnerships with UnB and vice versa. Students from the postgraduate courses in Law and Human Rights expressed great interest in establishing more knowledge exchange with professors, researchers and students linked to MMB in order to broaden their Lusophone approach to key themes of interest of the research group. These themes include:

1. Political violence and post-conflict reconstruction in communities experiencing local, national and cross-border displacement. In Brazil, the growing community of Venezuelan migrants and refugees is a focus point for research. Students’ discussions provided an account of Operação Acolhida (Operation Welcome), a government mission responsible for welcoming and integrating migrants and refugees from Venezuela, and the political effects that such an operation has in terms of a regional responsibility for human rights, given Venezuela’s suspension from Mercosur since 2017.

2. Labour and mobility and the historical legacy of slavery in contemporary work relations. The students’ research interests are also focused on historical reparations for black and indigenous people in the process of construction of Brazil as a sovereign nation, its direct link with the trafficking of people from West Africa and the consequences of a late abolition of slavery. Their other studies look at types of labour analogous to slavery, which in Brazil ranges from unpaid domestic and social reproduction work to land exploitation.

3. Representations of territorial boundaries and the tensions between political and ecological rights. The research group is also interested in the plight of indigenous communities, specifically during the Bolsonaro administration when more land was expropriated, and the Amazon’s natural heritage was further destroyed. While we were in Brasilia there were protests against the Marco Temporal (Time Limit Trick), which recently came to a vote in the Supreme Court and was not approved – a victory for indigenous peoples for the time being.

4. Neoliberal market expansion, wildcat economics and the movement of people and capital to and from the global margins. The Brazilian and South American experience of late capitalism is another theme within the research group, in particular the consequences of colonisation on the country’s political, economic, social and cultural structures.

5. The circulation of ideas and translational exchanges across borders within Latin America and beyond. Brazil’s ‘distance’ from other Latin American nations in terms of identity and culture is also a key theme, again taking into account the legacy of colonisation. This includes the experience of joining forces with other Latinx, and more particularly South American, countries through international agreements, which have encouraged the integration and recognition of Brazilians as Latinxs, and the repercussions that these socio-political aspects have on the country’s development.

Our conversations with the UnB students and staff around these themes were enriching and productive, and highlighted the many ideas to be developed, lessons to be learned and collaborations to be established between the two universities, particularly through their role in developing their countries’ intellectual and political spheres. We look forward to this collaboration bearing fruit for both academic environments.

Anamaria Fonsêca is a Teaching Associate in the Law School at the University of Bristol. Her research focuses on forced migration, ethnicity, integration, citizenship and the hostile environment for immigrants, as well as sex work and women’s rights. She studied for her PhD at the University of Bristol and recently submitted her thesis on ‘England’s hostile environment: sex work as an attempt to mitigate the impacts of destitution for women who are denied asylum.’ She is also a qualified lawyer and a member of the Brazilian Bar Association. Anamaria’s visit to the University of Brasilia was supported by MMB.