Category: Representation belonging futures

‘Six new home carers near you!’ How digital platforms shape domestic services

Posted on by Emily

By Jing Hiah.

Finding cleaning and child rearing services is easier than ever in many parts of the world. Install an app on your phone and start browsing through hundreds of (female) workers. If you decide not to directly hire their services – perhaps you feel too embarrassed (can’t we take care of ourselves?!) – you’ll be sent reminders by email: ‘Six new home carers near you. Contact them now!’

Domestic service is reportedly the fastest growing sector in the platform or ‘gig’ economy – that is, economic activity facilitated by digital platforms that mediate supply and demand, creating digital marketplaces. Rising demand for home-based care and domestic workers and health professionals (and even virtual nannies during the COVID-19 lockdown) has been prompted by factors including women’s entrance into the paid labour market, longer lifespans and the retrenchment of the welfare state. Platform companies like Care.com, Helpling and Handy have designed digitised infrastructures that connect domestic workers to those wanting their services. This is the focus of my project ‘New mobilities or persistent inequalities’, which I will be researching during my 20-month stay at the University of Bristol.

(Image: Magnet.me on Unsplash)

New mobilities or persistent inequalities?

Paid domestic work can be broadly understood as all tasks conducted in the private household including cleaning, child rearing and care of the elderly. While inequalities and difference in paid domestic work are hotly debated, it has been cited as a quintessential example of ‘invisible work’ due to its poor labour conditions combined with legal disenfranchisement, which make the sector vulnerable to exploitation. Furthermore, the demand for domestic workers is highly gendered, as it is associated with women’s ‘natural’ qualities. Racialisation also plays a part, with some minority groups considered to be better fitted to perform domestic work, and this has intersected with female migration in different parts of the world. Immigration regulations further control the rights and mobilities of domestic workers, whether they have entered on domestic worker, family reunion or other visas, or overstayed.

Anonymised example of an app for finding domestic workers (created by the author)

My project will explore how vulnerabilities and inequalities in domestic work are shaped by digital platforms. The literature so far suggests that these platforms offer some groups of marginalised workers, such as migrants, racialised minorities and workers with familial obligations (often women), new and flexible opportunities to access work. However, there is also growing evidence that platforms contribute to a degradation of employment relations. They do not guarantee minimum wages or income security and they challenge worker organisation. Furthermore, work on surveillance capitalism and visibility regimes has found the digital infrastructures of platforms and the associated online visibilities of workers to cause further inequality in the domestic employment relationship.

So, what about the ‘six new home carers near you’? It’s important to remember that the carers have no idea who ‘you’ are and neither do they know anything about your household. You do all the picking and choosing. This picking and choosing, research shows, is not only based on the profiles of the individuals on the app: employers also often check the broader social media presence of workers, for example on Facebook and Instagram. For some workers it has become a full-time (unpaid) job to perform gender and ethnicity through their platform profiles. Meanwhile, they have no idea about the appearance, relationships or even gender, race, occupation or name of potential employers. Workers therefore often have to give up their privacy, manage their various connected social media profiles and invest in social media skills, which they may be unfamiliar with and certainly don’t get paid for.

Possibilities for ‘good’ platformed domestic work jobs

So today I was trying to get the attention of [the kid the nanny is taking care of] and he was glued to his Switch. I gave him ample warning that we were about to change to a different task and he has 5 minutes left before we move on. He told me no, that he wants to keep [playing] and that he’ll just ask his mom for more time. Imagine my surprise when [their] mom storms out of the room, takes the Switch, and firmly says ‘I never want to hear that again. Nanny is always right and don’t you forget it.’ And just walks away….

This family is definitely my unicorn family, and it was just solidified today that I never want to leave them! I felt so freaking empowered!

(Post on an online nanny support group.)

Inequalities related to paid domestic work have been recognised to be pretty persistent and these inequalities may have become even more serious when mediated by the digital infrastructures of platforms. Yet does that make a job in paid domestic work by definition a ‘bad’ job? The post of the (self-identified) nanny above on an online nanny support group gives us some insight into various aspects of what, according to sociologists of work, makes a job a ‘good’ job – namely a sense of autonomy, control over work activities and social contact (other aspects include income, health and control over work hours).

So, while the employment relationship between paid domestic workers and their employers may be characterized by inequalities, what also matters is the manner in which employers and workers approach these inequalities in their everyday relationships. The various discussions in the online nanny support group show that it is not only important to workers to be treated fairly, but that many employers also do their best to secure fair and good relationships. Since there has been less work done on the perspectives of employers, the aim of my project is to also include their perspectives in my analysis of platformed domestic work. I am looking forward to hearing from employers and workers how they secure fair relationships in platformed domestic labour relations.

Jing Hiah is an Assistant Professor in Criminology at the Erasmus University Rotterdam and a Dutch Research Council (NWO) Rubicon Postdoctoral Fellow. She is visiting the University of Bristol from December 2021 until July 2023 as a guest of MMB and SPAIS. During this time she will be carrying out her study on domestic labour platforms funded by the Dutch Research Council, the Erasmus Trustfonds and an innovation grant of the Erasmus School of Law.

Brexit, COVID and stay/return narratives amongst Polish migrants in the UK

Posted on by Emily

By Magda Mogilnicka.

Following EU enlargement in 2004, Polish migrants quickly became the largest migrant population in the UK. Since the Brexit referendum in 2016, however, the Office for National Statistics has documented a decline in the Polish population by around a quarter. A further drop in numbers was noticeable after the outbreak of the COVID-19 pandemic, with the estimated population of Polish citizens at the end of 2020 at 691,000 compared with 818,000 in 2019. Both the rise and the fall in numbers have been widely understood in terms of Poles as economic migrant workers and their contributions to the economy. But how do Polish migrants themselves reflect on their presence in the UK? In 2021 I carried out a research pilot study to learn more about the impact of COVID and Brexit on Polish people living in Bristol, and whether they are currently considering leaving or staying in the UK.

Since the referendum there has been a surge in British citizenship and EUSS scheme applications made by EU citizens, which demonstrates that concerns around Brexit and the pandemic have driven some EU citizens to take actions to anchor themselves in British society. However, recent media debates have focused on the return of many EU citizens to their countries of origin, which has been understood as an exodus that will affect the British economy. Commentators have pointed at Brexit and the pandemic as contributing factors in these individuals’ decision to leave, and the impact of these events on a rise in hate crime towards them, being made to feel unwelcome and uncertainties around their future.

Although many Polish people are leaving, it is unclear how many of them have also secured EU Settlement Scheme status or applied for British citizenship. The current return migration should not, therefore, be seen as a definite, long-term departure. Neither should their potential relocation back to the UK be interpreted as a long-term stay. In other words, the Brexit or COVID related changes in status and mobility are not fixed.

Polish grocery store in Plymouth, UK, 2015 (image by Chris on Flickr)

Polish migrants in my pilot research study clearly voiced their anxieties about their future in the UK. In 2021 I interviewed 15 Polish workers employed in a variety of sectors, such as hospitality, the NHS, food distribution, supermarkets and the public sector. The project explored how Brexit and COVID were affecting their everyday lives. This led to discussions about the possibility of returning to Poland.

At the time of the study, Brexit was overshadowed by COVID-19.However, the respondents readily shared memories of the vote to leave the EU five years earlier. Above all they described a feeling of disappointment and betrayal.

Most participants knew of someone who had already left the UK and were sympathetic towards the decision. The returns were perceived as a loss for the British industries, as stated by a female participant Edyta: ‘Watching all those construction sites in our neighbourhood, I thought to myself: “Who is gonna work here?” (…) Poles are leaving, escaping (…) because it doesn’t pay off for them anymore (…). So, who is gonna work here?’ Similarly, Marta noticed that Polish people might be better off financially in Poland: ‘The British pound is not as strong a currency as 15 years ago. We cannot save as much anymore.’

Other respondents also reproduced the discourse of Poles’ economic contributions as migrants. One of them, Ania, claimed that the UK is already experiencing a shortage of labour force: ‘They say: “immigrants are taking jobs away!” Now farmers cannot find anyone to work so what jobs are we taking away?’ Some suggested that British people would eventually regret their decision to leave the EU as they are losing an essential labour force. These narratives draw on the stereotype of a hardworking Polish migrant and reproduce the sense of validity and usefulness of Poles in Britain as migrant workers rather than citizens deserving to be here.

Although the participants justified other migrants’ decisions to leave, they themselves had no intention to do so in the near future. Interestingly, the narratives about staying also constructed Polish citizens as migrant workers. A notion of their irreplaceability has led some to believe that their position in the UK is secure, as expressed by Monika: ‘They won’t kick us out – they need immigrants, Brexit is just an economic stage in their country’s history, I don’t take it personally.’ Similarly, Marcin claimed: ‘I’m not scared of losing my job. I will find another one easily.’ Over the years, Poles have earned a good reputation as a ‘hard-working’ migrant group. As Marta stated: ‘One of my customers said to me: I voted Brexit but have nothing against Polish migrants. They work hard.’ Although Brexit continues to have serious consequences for EU migrants’ mobility, the participants were convinced that their legal status was secure. Their stay narratives – similarly to their return ones – constructed Polish people as migrant workers in British society.

By contrast, the participants expressed their sense of belonging to Poland through nostalgic memories about family, friends and places. These feelings had been intensified by the pandemic. The sudden travel ban following the start of COVID-19 made it impossible for them to see their families, which led some participants to seriously consider leaving the UK for good. They rethought their values and the importance of their families, as seen in Ania’s reflection: ‘I’m the only child, my parents miss me. They are 80 and 79, I don’t know for how much longer I will have them.’ Marta’s memories of Poland expressed deep nostalgia: ‘I miss Poland so much. I miss gardens, parks, people, everything!’ This romanticised picture was reinforced by Monika: ‘I miss four seasons (…) I feel like I’m missing out on so much by being here.’

My respondents rationalised other Polish people’s decisions to leave as a financially more secure option and as a loss to the British economy, but they talked about their own potential return in terms of an emotional connection to Poland, which was missing from their narratives about the UK. Those who expressed a sense of belonging to the UK talked about it in terms of their local links to neighbourhoods, workplaces and mortgage commitments, or having children who feel more at home in the UK than in Poland.

Their stay and return narratives therefore reproduced dominant discourses in UK society that identify Poles as migrant workers whose value is measured in economic terms. In other words, they are seen as economic actors rather than as citizens – an issue for many migrant groups. Their narratives are also in dialogue with broader media and political discourses in the UK that construct them as the racialised East European Other – that is, cheap, low-skilled economic migrants praised for their hard work, but also facing political hostility and racism. These discourses position them below the white British majority in hierarchies of belonging. And yet, as seen in my participants’ responses, many Polish migrants today point to the UK’s labour shortages resulting from Brexit and the pandemic and use this to re-negotiate their identity as economic workers ­that once again need to be appreciated.

Magda Mogilnicka is a Lecturer in the School of Sociology, Politics and International Relations, University of Bristol. Her PhD thesis, ‘Lived diversities of conditional citizens: Poles’ encounters with difference in Britain’, investigated everyday ambivalent experiences of learning to live with diversity in the context of British national hierarchies of belonging.

The power of collaborative art in research for social change

Posted on by Emily

By Rebecca Yeo.

On Human Rights Day, 10th December 2021, a mural on the wall of Easton Community Centre was officially opened. It brings together and promotes messages from Deaf, Disabled and asylum-seeking people living in the Bristol area. The collaborative process of creating the mural is the latest in a series of projects facilitated by artist Andrew Bolton and myself, including work in Bolivia and in the UK. In this most recent project in Easton we specifically sought to bring together the Disabled people’s movement and people with experience of the UK immigration system, as well as to develop creative means of engagement during the pandemic.

‘Disability and migration: a mural for social change’, Easton Community Centre, Bristol, 2021 (image: Mark Simmons)

My research focuses on responses to disability and forced migration in the UK (Yeo, 2015, 2017, 2019, 2021). Within this, I investigate and seek to reduce the barriers separating the asylum sector and the Disabled people’s movement – there is considerable overlap in the experiences of people in both. Many asylum seekers, for example, experience severe mental distress or have other impairments. However, with this mural we were not only working with asylum seekers who identify as Disabled but with a wider section of both groups to build an understanding of the similarities and differences in their experiences.  

The mural conveys key messages of the hopes and struggles faced by asylum seekers and Disabled citizens. Some people contributed images and others used words to explain what they wanted the world to understand. Andy, the mural artist, worked with each person to include elements of their ideas or images in the overall design. Some people helped to paint the mural background directly onto the wall. Others painted their contributions onto wooden boards, which were then varnished and fixed to the wall. Alongside the painting, each person was invited to contribute to a short film, explaining their messages in their own words.

This collaborative and creative research approach brought together people whose voices are rarely heard in the mainstream media. The images highlight that the asylum system itself is actively and deliberately disabling, but the mural also makes clear that these injustices are not inevitable. The top of the mural is divided into three rainbows: on the left, a colourful rainbow represents visions for how things could be; in the middle, the rainbow has more muted colours, representing things changing for better, or worse; and on the far right, a grey rainbow represents the worst injustices. 

At the start of the first rainbow, a chain of interconnected people provide help and solidarity to each other (left). However, the University of Bristol’s Student Disability and Accessibility Network explained how this chain of support has been made increasingly fragile through underfunding, and how responses to COVID have been pulling it apart.

Together with many other Disabled people, students expressed their relief when, during lockdown, university lectures along with many public events became accessible from home. They hoped that lockdown might increase empathy and commitment to long-term provision for people who need remote access. However, Lizzy Horn, a woman who has been largely housebound for the last 13 years described her frustration when, after the first lockdown, the need for remote access was again sidelined. She contributed this Haiku:

Gaze from my window,
The world moves on once again,
I am left behind.

Meanwhile, people seeking asylum described the disabling effects of government policy. Under the colourful rainbow, a group of people chat happily. But in the centre, under the fading rainbow, one man stands with his backpack after leaving a house (below). On the right, the same man is homeless, crouching in a bush. Without food, shelter or hope for the future, he explained that asylum policy had caused him to ‘lose [his] mind’. A uniformed officer and a suited man stand together ignoring the homeless man. These figures represent immigration officers and politicians as well as those in academia, local government and beyond who collude with the police and government policy rather than risk speaking out against injustice.

Three stages of homelessness

Above this, a series of cages hang from the sky bring together experiences of asylum seekers and Disabled citizens. People from both groups talked about feeling trapped and being unable to move on in their lives. In the first cage (right), under the muted rainbow, a wheelchair user is surrounded by confusing information from social and mainstream media. The socially constructed nature of the cage is highlighted by having a second image of the same wheelchair user under the brightly coloured rainbow, but this time sitting in a comfortable pagoda, able to engage with and contribute to the world (see cage image above).

The middle cage (below) contains a Deaf person with their arms out signing ‘Where?’ In front of the cage there is a hand with the words, ‘Where is the interpreter?’ This image from Lynn Stewart Taylor is the symbol for the campaign that she established in response to government failure to provide British Sign Language interpreters for public health announcements about COVID. As with many images in this mural, the image is also very relevant to a wider population: government announcements about the pandemic have routinely been provided only for English language speakers. The final cage holds a dead canary, evoking the historical practice of taking canaries into mines to warn of gas leaks. This mural warns that urgent action is needed to save lives. 

Next to the final cage there is a drawing of Kamil Ahmad, a Disabled asylum seeker who was murdered in Bristol in 2016. The image is repeated from his contribution to a mural in 2012 – it depicts him holding his head in despair at the injustices caused by the Home Office. The mural is dedicated to him, in a quest to build solidarity and prevent further injustices. 

The mural enabled participants to claim a space in a public setting and raise awareness of their experiences of marginalisation. The images and messages will also be submitted to the United Nations as part of this year’s shadow report from Deaf and Disabled people. The UN uses this report, alongside an official government submission, to assess how the UK is meeting its obligations under the UN Convention on the Rights of Disabled People. This is the first time that the experiences of asylum seekers have been included in the shadow report.

In these ways, this mural is intended not just to convey people’s experiences but also to contribute to change. The key message is that if we work together it is possible to build a better world and extend the colourful rainbow to include everyone. It calls for solidarity between the asylum sector, the Disabled people’s movement and allies – as one contributor put it, ‘togetherness is strength’.

Rebecca Yeo is an ESRC Postdoctoral Research Fellow in the School for Sociology, Politics and International Studies, University of Bristol. Her research focuses on refining and promoting a social model of asylum as a means to transform responses to disability and forced migration in the UK.

All images by Rebecca Yeo and Andrew Bolton except where indicated.

Mobility and identity in the Patagonian Archipelago

Posted on by Emily

By Paul Merchant.

Cast your eyes over a map of Chile, from top to bottom, and you’ll notice a strange development. South of Temuco, the lakes become more frequent and larger, and eventually, after Puerto Montt, the land fragments into hundreds of islands, some quite large, like Chiloé, and many that are very small. You can travel by road as far south as the town of Villa O’Higgins in the Aysén region, but beyond that, unless you cross into Argentina, a boat is the only option. In Chile’s far south, the Andes seem to gradually sink into the Southern Ocean.

This remarkable landscape (though perhaps seascape would be a more appropriate term) is home to communities whose lifestyles and methods of travel offer visions of identity and belonging beyond Chile’s current political order.

Quellon on Chiloe Island (image: Wikimedia Commons)

My research project ‘Reimagining the Pacific: Images of Ocean in Chile and Peru, c.1960 to the Present’, which is supported by the Arts and Humanities Research Council, explores how cultural responses to the ocean reveal contemporary ecological challenges and neglected local histories. In Chile, the last ten years have seen increased interest on the part of documentary filmmakers in the past and present of indigenous communities in Chile’s watery south. These communities, such as the Kawésqar and the Yaghan, suffered terribly as a result of the arrival of European explorers, missionaries and colonisers in the nineteenth and early twentieth centuries, with many dying from disease and malnutrition, and some groups disappearing entirely.

Yet not all is lost. In Patricio Guzmán’s documentary El botón de nácar (The Pearl Button, 2015), we meet Martín González Calderón, a Yaghan man who explains how the Chilean Navy’s strict control over maritime space has made it almost impossible for him and his family to travel by boat using the skills and techniques passed down over generations.

Guzmán also speaks to Gabriela Paterito, a Kawésqar woman who recounts a long journey by canoe that she made when she was a girl, and the director prompts her to state that she does not feel Chilean at all. In Guzmán’s film, indigenous mobility by water in the Patagonian archipelago is presented as lost to the past, and impossible in the present (I’ve written elsewhere about how Guzmán consistently relegates indigenous experience to a separate timeframe, or even a separate world).

Other filmmakers have taken a different approach to these issues, however. In Tánana, estar listo para zarpar (Tánana, being ready to set sail, 2016), for instance, we meet Martín González Calderón again, but this time at much greater length. The documentary’s directors Alberto Serrano Fillol and Cristóbal Azócar do not provide an explanatory voiceover. Instead, the camera follows González Calderón as he goes about his daily life, and then seeks to build a boat in which he can recreate a childhood trip around the False Cape Horn, near the southern tip of the continent, that he undertook with his father.

Another documentary from 2016, Alas de mar (Sea Wings) exhibits some similar characteristics. Here, the director Hans Mülchi does provide a voiceover, but it is intermittent and reflective. The film follows the journey by boat of two Kawésqar women, Rosa and Celina, back to the region where they grew up. The voices of Rosa and Celina are much more prominent than that of Mülchi, or indeed that of the European anthropologist who is travelling with them.

Yaghan bark canoe, Wuluaia Bay, Chile (image: GrahamAndDairne on Flickr)

It is not only the human voice that counts, though. Both Tánana and Alas de mar contain long sequences in which the only sounds audible are the sounds of travel by sea: the flapping of a sail, the rush of the wind, the crash of waves against the hull, or the roar of a motor. This openness to the sounds of the marine environment allow the spectator to share in the embodied experience of the protagonists in a way that escapes any definitions that might be imposed by spoken or written language.

It is precisely because Alas de mar and Tánana do not offer definitive answers to the question of the relation between indigenous identity and Chilean identity that I find them valuable to think with. The people whose stories are told in these films have been displaced from their childhood homes (as is the case for Rosa and Celina), or are held in place by the state’s unwillingness to allow maritime travel outside of specific, limited purposes (in the case of Martín). And yet we see them strive to retrace past journeys and reclaim certain modes of mobility as an essential part of their heritage.

In fact, indigenous identity itself appears as fluid and mobile in these films. Martín notes that while he understands much of the Yaghan language, he cannot speak it well himself, and in Tánana we see him teaching boatbuilding techniques to family members who are clearly of mixed heritage. In Alas de mar, Rosa and Celina share weaving and construction techniques with their fellow travellers.

At a time when the Constituent Convention in Chile is determining the form of the country’s new constitution, with the participation of many indigenous groups, including the Kawésqar and the Yaghan, these films’ visions of mobile and changing identities present a source of inspiration for a plurivocal or even plurinational political order.

Brian Russell Roberts and Michelle Ann Stephens have suggested that an ‘archipelagic American studies’ can offer a way of ‘decontinentalising’ our understandings of space and identity. A way, in other words, of recognising the cultural and political value of apparently marginal or ‘in-between’ spaces like islands, seas, beaches and inlets, and the people who live in them. Perhaps a decontinental understanding of Latin America might allow a similarly generous approach to its many voices and perspectives.

Paul Merchant is a Senior Lecturer in Latin American Film and Visual Culture at the University of Bristol. He is lead researcher on the project ‘Reimagining the Pacific: Images of Ocean in Chile and Peru, c.1960 to the Present’. The project is running an event, ‘Redrawing the Ocean‘, as part of First Friday at the Watershed Café and Bar in Bristol on 5th November.

Maritime mobility and literary culture: ‘Hamlet’ off the coast of Sierra Leone

Posted on by Emily

New writing on migration and mobilities – an MMB special series

By Laurence Publicover.

In 1607 three East India Company (EIC) ships set off on the company’s third voyage, aiming to break into the lucrative spice trade dominated by Portugal for the previous century. As the first to reach mainland India, this voyage has clear significance for histories of globalization and English (later British) imperialism. But it is also of interest to literary historians, as it provided the occasion for the first recorded performance of Shakespeare’s Hamlet.

Or at least, it might have done – the documentary evidence leaves plenty of room for doubt. In any case, this (possible) performance of Hamlet off the coast of what we now call Sierra Leone, perhaps before an African audience, is good to think with. It might, for example, prompt us to consider how Shakespeare’s works became both a tool for imperialism – his plays have found a prominent place in colonial curricula, including in India – and a means by which colonial subjects could ‘speak back’ to the imperial centre through adaptation and reinterpretation. If Shakespeare is a global playwright, then it seems apt that the earliest performance record we have of Hamlet – perhaps his most important play – relates not to London, but to a voyage that helped shape global history.

All this is very enticing. But as someone who works across Shakespeare studies and oceanic studies, I am also interested in this episode for other reasons. To borrow Hamlet’s words, what might have been ‘the purpose of playing’ during an EIC voyage?

‘A fleet of East Indiamen at Sea’ by Nicholas Pocock, 1803 (image: Wikimedia Commons)

The idea that literary culture shapes maritime culture – and vice versa – sits at the heart of Shipboard Literary Cultures: Reading, Writing, and Performing at Sea, a volume of essays I have edited with the social historian Susann Liebich (University of Heidelberg). Currently in production at Palgrave Macmillan, the book examines the literary cultures of vessels ranging from a man-of-war anchored off the coast of Plymouth during the English Civil War (1642-51) to the container ships that traverse our oceans today. Individuals explored within specific chapters include anxious migrants on the three-month ‘Australia run’ from England, a young girl on her father’s whaleship, troops travelling from New Zealand to Europe to fight in the First World War, and American college students circumnavigating the globe aboard the ‘Floating University’ around a decade later.

Our contributors demonstrate how, in their various ways, these seafarers came to terms with their situation through ‘literary’ strategies: by putting on plays, producing newspapers or circulating reading materials as a way of building morale and a sense of community; and through private acts of reading and diary-writing that, among other things, helped maintain mental health and personal identity in the extraordinary circumstances occasioned by sea travel.

If mariners really did perform Hamlet off the coast of Sierra Leone in 1607, then this was not, in fact, the most significant way in which literary culture shaped the third EIC voyage. When floundering in mid-Atlantic and on the point of returning to England for fresh supplies, EIC officers decided instead to seek provisions on the West African coast after reading about Sierra Leone in Richard Hakluyt’s compendium of voyage narratives, The Principal Navigations (1589). What was this book – which includes narratives of mythical as well as actual voyages – doing on board? Did someone bring it along for just such an eventuality? Or was this the re-purposing of a book carried for other reasons?

Front page of The Principal Navigations by Richard Hakluyt (1589) (image: Wikimedia Commons)

If Hamlet was performed, then we must assume the seafarers were carrying a copy of the play, too: either the shorter 1603 version, or the longer 1604 version more familiar to us today. Was this copy similarly repurposed – carried as personal reading material, but transformed into a performance text when the need arose? And what was that need, exactly?

Some scholars have argued that the performance of Hamlet was designed to establish closer relations with the rulers of what was, for the EIC, a strategic stopping-off point on the journey around Africa. Given that plays were often performed before ambassadors in early modern London, this certainly seems feasible. But it is also possible that Hamlet was staged for the benefit of the English crew: as more than one contributor to Shipboard Literary Cultures argues, theatrical performance at sea could provide a welcome distraction – even a necessary release valve – for those cooped up together on a long voyage.

Over the next year I will be advising on The Hamlet Voyage, a project developed by the director Ben Prusiner that considers the wider resonances of the EIC voyage. The play, which is being written by Rex Obano and features puppetry directed by the Delhi-based Anurupa Roy, will be performed aboard The Matthew – a replica of the ship in which John Cabot crossed the Atlantic in 1497 – at the 2022 Bristol Harbour Festival.

We are interested in how the 1607 voyage points forward to the British colonization of India; we wish also to explore the fact that, only a few decades earlier, an English ship had carried enslaved people from Sierra Leone to the Caribbean (this was the voyage read about in The Principal Navigations). Sierra Leone was later to become a key node in the triangular trade.

In these ways, then, the 1607 voyage asks us to reflect on the history and the legacy of British imperialism. But it also asks us to think about the wider experience of crossing oceans. What is it like to head towards an unknown destination, losing sight of land for weeks at a time? What, in such circumstances, might help us assuage our fear, or our boredom? What might help us build relationships with those sharing our experience? What might help maintain a connection with home?

Different conditions of voyaging will, of course, determine the answers to these questions. But across different centuries, cultures and vessel types, literary activity – and perhaps especially communal performance – has helped people cope with the hardships and perils of maritime mobility. Studying the records of such activities can help us imagine the experiences of those who crossed oceans in the past; and in turn, it may help us overcome the ‘seablindess’ that – alongside other factors – prevents us from thinking about those who cross them today.

Laurence Publicover is Senior Lecturer in English at the University of Bristol and the MMB Graduate Studies Strategic Lead. His research focuses on Shakespeare and other English Renaissance dramatists and on the relations between humans and oceans. Shipboard Literary Cultures: Reading, Writing, and Performing at Sea (2022) is published by Palgrave Macmillan. The introduction is open access.

Britain as the spoils of empire

Posted on by Emily

Race, nation and migration – the blog series reframing thinking on movement and racism.

By Nadine El-Enany.

My parents travelled from Egypt to Britain in 1977, moving from London to Exeter, a city in the South West of England, in 1978. For my parents, Exeter was a place they felt fortunate to have found, an idyll far from the noisy, crowded streets of Cairo. They made Exeter their home. Yet 40 years later, when my father retired, a neighbour asked him when he would be going back to Egypt.  Still, my parents are the lucky ones. They came to Britain on an aeroplane, study visas in hand. They did not have to travel by boat, or in the back of a lorry risking their lives.

‘Bordering Britain’ is not only the centuries long legal and political process that my recent book traces: it is also a mindset. Hanging over my parents will always be the assumption that their life in Britain is contingent and temporary. Immigration law teaches white British citizens that Britain and everything within it is rightfully theirs. ‘Others’ are here as guests. I challenge this by showing how British immigration and nationality law is an extension of British colonialism. I argue that Britain’s borders, articulated and policed via immigration laws, maintain the global racial order established by colonialism, whereby colonised peoples are dispossessed of land and resources. Britain is not only bordered, but also racially and colonially ordered, through the operation of immigration control.

Britain would not be the wealthy, plentiful place that it is without its colonial history. Colonialism and slavery were key to its industrialisation and the growth of its capitalist economy (see Draper 2008; Inikori 2002; Williams 1944). Wealth derived from British slave-ownership has helped to enrich and sustain elite institutions, individuals and families and has sewn inequality deep into the fabric of British society (see Dorling and Tomlinson 2019). Britain’s healthcare system, welfare state, transportation infrastructure, cultural and educational institutions, though battered and unequally accessible, are nevertheless colonially derived.

As colonial populations fought the British from their territories, British lawmakers fast abandoned the myth of imperial unity and equality and moved to introduce controls targeted at racialised colonial subjects and Commonwealth citizens. Through the concept of patriality the 1971 Immigration Act had made whiteness intrinsic to British identity. Only patrials, those born in Britain or with a parent born in Britain, had a right of entry and stay in Britain. In 1971 a person born in Britain was most likely (98%) to be white (see Owen 1995). The 1981 Act continued this process of racial exclusion by constructing British citizenship on the foundation of patriality, tying citizenship to the right of entry and abode (Karatani 2002:185). A territorially distinct Britain and a concept of citizenship that made Britishness commensurate with whiteness made it clear that Britain, the landmass and everything within it, belongs to Britons, conceived intrinsically as white. The 1981 Act was an act of appropriation, a final seizure of the wealth and infrastructure secured through centuries of colonial conquest.

Understanding Britain as a contemporary colonial space serves to partially collapse the distinction between settler and non-settler colonial contexts. While it is now an accepted argument in critical scholarship that settler colonialism is ongoing and structural (for example, Coulthard 2014), the same critique has not been applied to non-settler forms of colonialism, which are considered to have ended. Yet, the border drawn around the spoils of British colonial conquest via immigration and nationality law amounts to colonial theft. Due to mainstream understandings of property as being fixed and immovable in space and time, theft via the passing of immigration controls can be difficult to conceptualise (see Cooper 2013; Keenan 2015). Colonial dispossession not only determined the contemporary distribution of material wealth, but also radically altered subjectivity in the sense of what people desire, consider themselves as entitled to and understand themselves to be (Fanon 1986). Theft of intangibles such as economic growth, life chances, psyches and futures occur in all colonial contexts, settler or otherwise.

The effect of the 1981 Act along with changes to immigration law was to put the wealth of Britain, gained via colonial conquest, out of reach for the vast majority of people racialised through colonial processes. Immigration law not only serves as the means of obstruction of movement – it is also the means through which legal status is granted. Regimes of legal status recognition whereby British authorities determine entitlement to citizenship, settlement and refugee status serve to legitimise the claim that colonial wealth belongs behind Britain’s borders, only to be accessed with permission.

Similar to the way in which indigenous people in Canada and Australia must submit to the rules and evidentiary standards of those colonial legal systems in order to be recognised as having enforceable rights to land (for example, Mabo and Others vs Queensland 1992), those with ancestral, geographical and personal histories of British colonialism who wish to access stolen colonial wealth and resources in Britain must submit to the rules and evidentiary standards of British immigration law. In this way the vast majority of racialised people are prevented from accessing Britain and its wealth in part through the operation of internal and external borders, produced and enforced through law.

The traditional acceptance of legal categories as defined in international and domestic law in and outside academia has the effect of concealing law’s role in producing racialised subjects and racial violence. It further impedes an understanding of law as racial violence. Addressing the historical contingency and artificiality of legal categories, the violence in their production and ongoing material effects allows us to understand how Britain remains colonially and racially configured. It also helps to mitigate against a liberal politics of recognition and opens the way for the development of emancipatory and reparative discourses and strategies for migrant solidarity and racial justice.

Legal status does not alter the way in which racialised people are cast in white spaces as undeserving guests, outsiders or intruders – as here today but always potentially gone tomorrow. Immigration law is, after all, the prop used to teach white British citizens that what Britain plundered from its colonies is theirs and theirs alone. Understanding that immigration law is an extension of colonialism enables us to question Britain’s claim to being a legitimately bordered, sovereign nation-state. If we, as critical scholars and activists, can imbibe a counter-pedagogy to that of immigration law and bordering, one which rejects the violence of legal categorisation and paves the way for a more empowering, redistributive and radical politics of racial justice, we can begin to work our way towards new strategies for organising collectively in the service of anti-racism and migrant solidarity. We should not wait for the law to rule on our entitlement to colonial spoils. A Britain understood as the spoils of empire already belongs to us.

Nadine El-Enany is Reader in Law at Birkbeck School of Law and Co-Director of the Centre for Research on Race and Law. She researches migration and refugee law and one of her current research projects focuses on questions of race and justice in death in custody cases. (B)ordering Britain: Law, Race and Empire (2020) is available from Manchester University Press.

A longer version of this blog post was originally published by Manchester University Press on 6th November 2019.

(de)Bordering the human and non-human worlds

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By Bridget Anderson.

In October 2016 the French authorities evicted more than a thousand people from their shelters in the Calais ‘Jungle’. This had become a hub for people seeking to cross the Channel to come to the UK, and a focus of solidarity and rights activism. It was to be replaced with a nature reserve. Who can object to the restoration of an ecosystem, symbolised by the re-establishment of endangered native species? To uncovering and nurturing back to life the seeds of the Liparis loeselii, the endangered fen orchid, dormant under 60 years of detritus and topsoil? The subsequent Fort Vert nature reserve is now a resting ground for migrating birds but designed so it provides no shelter for migrating humans. Calais has been a point of tension between England and France for centuries, yet today the UK Border Force is a partner in this ‘projet de territoire’.

The Liparis Loeselii orchid, now growing on the site of the Calais ‘Jungle’ (image: orchidsworld on flickr)

The ‘natural world’ is often imagined as pre-political, as a kind of innocent space that must be conserved and protected from human beings. Yet environmental issues are bound up with power, domination and forms of violence that cannot escape politics. Moreover, at the same time as being pre-political, ‘nature’ is also imagined as national – think about national parks, the claiming of iconic national animals and the determination to stamp out ‘invasive species’. Fort Vert is incorporated into France’s ‘National Restoration Plan’.

The interface between environment and human mobility is likely to become increasingly politically fraught. There is growing anxiety about ‘environmental refugees’ and the consequences that environmental change will have for mobility to rich countries. This raises extremely important questions for the politics of migration and global justice. It also demands that we think carefully about the language used in environmental and migration justice. The pollution and destruction that people are seeking to escape compounded by racism easily becomes associated with them. Migrants are routinely seen to scurry, scuttle, sneak and swarm. It is legitimate to respond to vermin through the creation of a ‘hostile environment’.

These metaphors pass unremarked into press coverage. We often hear the language of insects and vermin, low down on the animal phyla, invading not the national territory but the national home. One insect is trivial, of no consequence, but they travel in swarms, so just one is likely to presage millions. Unlike beasts of burden, these are not perceived as productive animals. They are strongly associated with human waste and thrive in the places we try to forget: sewers, empty lots, derelict buildings, mountainous landfills. In the same way that vermin serve as a reminder of ecosystems of dirt and waste that are thrown up by and live on the by-products of production, so the people at the borders of Europe and those whose bodies wash up on Mediterranean beaches are part of the ecosystems of global economic, social and political relations, and the living histories of colonialism and patriarchy – ecosystems that many would rather forget.

Fort Vert exemplifies the ‘green washing’ of border enforcement. It is vitally important to be able to think about environmental justice, sustainability and mobility justice together, rather than as a zero-sum game. A pristine national space is a fantasy, but that does not mean it is not important to act on environmental destruction, climate change and migration justice: rather, it is important to act on them together. This demands analysis and mutual learning, and universities are an important space to facilitate these conversations. At Bristol, MMB has been working with the Brigstow Institute and two fantastic artist/gardeners, Charli Clark and Paul Hurley, to develop a living lab where we can observe, debate and learn from the multiple mobilities that are part of our worlds. (de)Bordering explores ideas of the native, the natural and concepts of place, and how they feature in the politics of environment and ecology and the politics of migration and mobility.  

The (de)Bordering project is set in the University of Bristol’s Royal Fort Gardens and comprises two plots planted up to attract migrants and welcome weeds and out-of-place plants. The summer garden, for example, has different thistle species and mallow, ideal for the painted lady butterfly to lay its eggs on and for its caterpillars to pupate. The painted lady migrates to and from North Africa. Cow parsley, summer ragwort and lady’s bedstraw will attract insects such as the marmalade hoverfly, an aphid-eating pollinator that arrives in its billions in the summer months. They are food for swifts and swallows.

A painted lady butterfly, migrating to the UK from North Africa, feeds on a thistle as planted in the (de)Bordering plot (image: hedera.baltica on flickr)

The winter friendly garden will be stocked with berries and seeds from hawthorn and ivy – the food of fieldfares and redwings – and from elder and dogwood – beloved of blackbirds and robins. Did you know that while most robins in the UK scarcely leave their ‘territory’, some (mainly female) ones fly to southern Spain in the winter? Those that stay put are in turn joined by robins from Scandinavia escaping the severe winter up north. We hope both long-term residents and those passing through will enjoy the rosehip and blackthorn they will find on our plot.

There are also two structures being built in this space. One is a hide, where two people will be able to observe insect life, and the other, larger structure is a space for debate, modelled on the shelters in the Calais ‘Jungle’ from which people were evicted. We hope that both will enable us to learn from the ways that people co-exist with and in our world, and how we can co-exist better. We will be completing it and making a firepit on 28th June, finishing with poems and stories around the fire. Come and join us then!

Bridget Anderson is the Director of MMB and Professor of Migration, Mobilities and Citizenship in the School of Sociology, Politics and International Studies at the University of Bristol. She leads the online course Migration, Mobilities and Citizenship: The MMB Online Academy 2021.

Bridget would like to thank Professor Miriam Ticktin and acknowledge the organisers and participants of the conference ‘Invasive Others’, held on 20th-21st April 2016 in the New School for Social Research, New York, for the conversations that helped her develop these ideas. Those wanting to know more might be interested in the special issue of Social Research that was dedicated to the conference papers.

Queer liberalisms and marginal mobility – special issue and interview series

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New writing on migration and mobilities – an MMB special series

By Mengia Tschalaer.

To live a life in fear of violence, incarceration, torture, excommunication and isolation is a reality for many lesbian, gay, trans*, bi, intersex and non-binary persons worldwide. Homosexuality is criminalized in 77 countries, out of which seven apply the death penalty. According to the UNHCR, the number of persons who flee their country due to their sexual orientation and/or gender identity and who qualify for protection as ‘members of a particular social group’ under the 1951 Refugee Convention has increased.

The criminalization of homosexuality has generally decreased over the last two decades, but the rise of populist and authoritarian politics in large parts of Europe, the Middle East, Africa, Russia and Southeast Asia currently fuels anti-LGBTQI+ attitudes and politics. In addition, many of the colonial anti-LGBTQI+ penal laws that up to this day populate constitutional and criminal law legislations in South Asia, the MENA region, the Caribbean and Southeast Asia are currently experiencing a revival in the context of the rise of religious fundamentalism and authoritarianism. Similarly, Europe and North America, two world regions that have so far been associated with their ‘progressive’ views on LGBTQI+ issues, seem to be backtracking by issuing restrictive case laws, exerting violence and expressing fierce opposition to LGBTQI+ anti-discrimination laws.

It is within such politically and socially charged contexts that Fadi Saleh (University of Göttingen), Bridget Anderson (MMB, University of Bristol) and I (City University of New York/University of Bristol) have imagined our special issue on ‘Queer Liberalisms and Marginal Mobility’, which will be published by Ethnic and Racial Studies in 2022. Prior to this, we are all taking part in an interview series this month that covers many of the themes touched on in the papers of the special issue (further details below).

An interview series in April 2021 explores the themes of the special issue

The special issue addresses queer migration through the intersectional lens of queer liberalisms, authoritarianism and marginal mobilities. Globally, LGBTIQ+ rights form an inherent part of human rights discourse and politics. At the same time, this very human rights language is increasingly used by nation-states to defend their borders, control migration flows and intensify discrimination and prejudice against the ‘other’. Queer migration scholarship has therefore maintained a critical approach to such forms of national queer liberalism, which risk marginalizing LGBTIQ+ refugees, migrants and asylum-seekers.

The aim of this special issue is to unpack the tenuous relationship between politics of queer liberalisms and securitization within contested political contexts in the Global South and North by thinking about the ways in which the precarity of ‘marginal mobility’ (Kalčić et. al. 2013) for LGBTIQ+ persons on the move is produced within different (trans-)national contexts. Focusing on the changing mobility dynamics for LGBTIQ+ people on the move in the aftermath of pivotal recent events such as the so-called ‘refugee crisis’ of 2015-16, Trump’s presidency and the rise of authoritarianism worldwide, the contributions in this special issue examine the interconnectedness of queer mobilities across and within different geographical contexts.

In so doing, we ask: How has the contentious terrain between political queer liberalisms, the racialization of borders, and (im)migration politics and policies changed? What effects did the recent developments in LGBTIQ+ human rights discourses have on migration and asylum politics, representations and policies? What types of new marginal mobilities have emerged and how can we rethink theoretical and methodological frameworks to these different types of mobility?

To answer these questions, this special issue brings into conversation queer migration scholars from different disciplinary backgrounds (anthropology, political science, sociology, security studies) whose work critically interrogates the many ways those transnational events transformed asylum and migration politics and policies and engages new analytical approaches to better address emerging issues and challenges facing LGBTIQ+ people on the move. In centralizing ‘marginal mobility’ as a concept – nationally and transnationally – this special issue aims to expand the purview of mobilities to include not only border-crossing (United States, Mexico, Germany), but also questions of migration and displacement within a given nation-state (United States) and mobilities within contexts that are often marginalized in academic research on queerness and migration, such as Syria, Lebanon and Turkey. Furthermore, the special issue foregrounds trans and non-binary migrants and refugees’ experiences of marginal mobility, thereby simultaneously challenging the often cis-homocentric and Eurocentric perspectives and views that continue to dominate queer migration scholarship.

For instance, Eithne Luibheid (University of Arizona) and Samuel Ritholz (Oxford University) explore the way in which queer persons in the United States, and particularly those with precarious immigration status, experience marginalization by means of anti-gay and anti-trans legislations, anti-immigration attitudes and policies, the carceral state as well as within families and communities. The papers authored by Fadi Saleh (University of Göttingen) and Razan Ghazzawi (University of Sussex) explore the experiences of Syrian LGBTQI+ persons on the move in the context of the UNHCR-led asylum selection process in Turkey and in the context of the Syrian and Palestinian diaspora in Beirut, Lebanon, respectively.

Martha Balaguera (University of Toronto) and myself are looking at asylum processes as a sexualized system and discuss them as gendered processes that shape LGBTQI+ persons’ experiences seeking asylum and waiting in Mexico and the United States (Balaguera) and Germany (Tschalaer). Ailsa Winton’s (independent researcher) paper takes us to Central America where she examines the manner in which labour precarity shapes mobility of trans women. Meanwhile, the paper authored by Anna Carastathis and Myrto Tsilimpounidi (Feminist Autonomous Center for Research, Athens, Greece) homes in on the question of representation in humanitarian discourse and imagery which, they argue, by and large rely on and portray a heteronormative understanding of vulnerability and pain. Lastly Bridget Anderson (University of Bristol) concludes the Special Issue with an afterword that offers some thoughts on what we can learn from queering the intersection of asylum, citizenship and ‘internal’ mobility.

If you want to get a glimpse into the themes and topics this special issue addresses before its launching in Spring 2022, we warmly invite you to join us for our Queer Liberalisms and Marginal Mobility interview series. This will take place every Friday in April 2021 from 5-6pm GMT (12-1pm EDT). The series is a collaboration between the Barnard Digital Humanities Center and the Barnard Center for Research on Women at Columbia University, the Queer European Asylum Network and Migration Mobilities Bristol.

Mengia Tschalaer is an Assistant Professor of Anthropology and Political Science at City University of New York and an Honorary Research Fellow at the School of Sociology, Politics and International Studies at the University of Bristol. 

Charting mobilities, intellectual histories and the Black Humanities

Posted on by Emily

By Madhu Krishnan.

The October 2018 issue of the Chimurenga Chronic, originally a quarterly (and now occasional) broadsheet produced by the Cape Town based Chimurenga collective, opens with a two-page spread titled ‘The African Imagination of a Borderless World’ . This title piece is comprised of two texts placed in juxtaposition. The first, a map titled ‘On Circulations and the African Imagination of a Borderless World’, serves as an ad hoc depiction of intellectual, cultural and political networks that spread across the globe, encompassing the Americas, Europe, Africa and Asia, tracing the movement of thought, ideas and anticipatory projections of the world across shifting pan-African movements over time. Here, for instance, it is possible to watch as mid-century Pan-Africanism flows into Congolese rhumba, in turn flowing into the post-Bandung Afro-Asian movement, then Marxism, then Cultural Studies and the work of Stuart Hall.

Front cover of the Chronic, October 2018

Accompanying this is a second text, titled ‘The Idea of a Borderless World’ by Achille Mbembe. Here, Mbembe sets his aims – aims which serve as an echo of the rest of the issue – in plain terms, stating his desire ‘to see whether and under what conditions we could re-engineer the utopia of a borderless world, and by extension, a borderless world, since, as far as I know, Africa is part of the world. And the world is part of Africa’. For Mbembe, as for the Chronic more broadly, this attempt, to see and to imagine and, by so doing, to return Africa to its place in the world, of the world and as the world, cannot be decoupled from its longer histories.

These histories are well known: the pillaging of the continent and expropriation of its resources; the colonial interruption; the long-term impact of enslavement and the trafficking of enslaved persons; the parcelling out of the continent amongst imperial powers in Berlin; forced migration, displacement and brain drain. Perhaps less known is the extent to which Africa’s intellectual resources, too, have been blighted by their exploitation under multinational capital and neoliberalisation, including the patenting by pharmaceutical corporations of traditional practices, and sometimes farcical attempts to monetise culture (best characterised, perhaps, by Disney registering to trademark the expression ‘hakuna matata’, a phrase which, incidentally, no Kiswahili speaker would actually say). In sum, as the South African critic Sabelo J. Ndlovu-Gatsheni argues, the continent’s place in the world can be characterized by its marginalization under the three faces of coloniality: the coloniality of power, the coloniality of knowledge and the coloniality of being.

And yet, there are other ways of conceiving of the continent beyond the commonly-held deficit view, even while recognising the material injustices that it has survived. It is precisely this task that the October 2018 issue of the Chronic partakes in, constituting an intellectual history and cartography of the world from an African centre of origin. Borders, boundaries and entrapments: the trappings of coloniality, on the one hand; versus networks, circulation and flow: the concept of the boundary, the border, not as immutable, impenetrable, but as permeable, evolving and in flux, a radically decolonial mode of knowledge production, on the other. This is a task made all the more urgent given how, as Sylvia Tamale reminds us, ‘colonial intellectualism deliberately denigrated Indigenous oral traditions and wisdom as illegitimate methodologies and tools of storing records’, enabling the perpetuation of the myth of African peoples as outside of history, outside of the world, static and fixed.

The editors of the Chronic position the October 2018 issue as ‘part of an ever growing library that re-images our world beyond so-called progressive discourse on “freedom of movement” and “no borders” against the backdrop of deeply Western individualist thinking’. In this respect, ‘The African Imagination of a Borderless World’ is an exemplar of the kinds of intellectual production that undergirds the larger project of the Black Humanities. This line of intellectual recuperation is one that relies, moreover, on the reconfiguration of the borders and boundaries that are perceived as absolute. By re-constituting an archive of knowledge(s), movements and circulations of understanding, which have been effaced under coloniality, the Chronic participates in the effort to make visible the temporalities, genealogies and modalities that have always arisen from the intellectual and cultural labour of Black and African peoples. This is a kind of knowledge production that travels and is characterised by mobilities and circulations, which defy the rigid topographies of colonialism/coloniality in favour of an ungovernable vision of space and time that is, all the same, productive of a logic of its own.

The Chronic thus provides one small example of the ways in which cultural study and the Black Humanities can offer us ways of understanding intellectual histories and intellectual mappings whose own movements might be unexpected, unorthodox or function outside of the typical boundaries of the academy. Projects like the Chronic, which is one amongst many instances of independent cultural and intellectual production from the African continent and its diasporas, illustrate the urgency of transversal approaches to the archive, to bibliography and to our concept of the library more widely. At the same time, these projects are not merely abstract: to return to Mbembe’s ‘The Idea of a Borderless World’, they speak directly to the African continent’s place in the world and the world’s place within it, with all of the material impact that may have.

Madhu Krishnan is Professor of African, World and Comparative Literature in the Department of English, and Director of the Centre for Black Humanities, University of Bristol.

The front cover of the October 2018 issue of the Chimurenga Chronic is published here with permission of the Chimurenga collective.

Moving difference: Brazilians in London

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Race, nation and migration – the blog series reframing thinking on movement and racism.

By Angelo Martins Junior.

Portuguese version here.

The freedom to move from place to place is a privilege in today’s world, and so ideas about human mobility and human difference are necessarily interwoven. When white people from the global north move around the world they are typically imagined as tourists, gap-year students, business travellers, expatriates and so on, whereas black and brown people from the global south are thought of as ‘migrants’. Their migrancy – the fact that they have moved – is taken to define them, and they are also frequently represented as homogeneous groups. Academics, as well as policymakers, politicians and journalists, often speak of ‘South Asian migrants’ or ‘asylum-seekers’, for example, as though they constitute one, undifferentiated group of people.

Much has been said about how this tendency to homogenise ‘migrants’ connects to racist stereotyping by anti-migrant thinkers (‘They’ are all criminals and rapists, for example). But amongst those who hold a more positive view of migration, it can be associated with more exoticizing stereotypes. In migration scholarship this has sometimes translated into assumptions about ‘migrant communities’ as bound together by a shared experience of movement or common homeland, acting in solidarity to support one another in the country of destination.

(Image: Routledge)

As a Brazilian working and then studying in London, I was struck by the fact that the academic literature that emphasises commonality and solidarity amongst migrants did not speak to my own experience. This observation prompted the research on Brazilians in London on which my book Moving Difference (2020) is based. The research involved ethnographic and interview research with men and women who, whilst all being ‘Brazilian migrants in London’, differed in terms of the regions of Brazil they came from, their socio-economic and educational background, and their racialised identities. Their difference moved with them, shaping not only their reasons for migrating and how they navigate different levels of opportunity and constraint to move, but also the ways in which they see and interact with each other in London. However, Britain has its own social and political hierarchies, and in London, my research participants found themselves not only lumped together as ‘Brazilians’ but also lumped in with global south ‘migrants’ in general.

Moving geographically ruptured the racial privilege of many lighter skinned and white middle-class Brazilians, who had never previously felt it possible that they would be perceived as a de-valued inferior Other, as a ‘social problem’. For them, being positioned as a ‘migrant’ implied the possibility of experiencing classed, ‘racial’ and social degradation. Now they had to negotiate their position on two matrices of difference – one ‘here’ in Britain and one ‘there’ in Brazil. While some did reflect critically on these hierarchies and express political solidarity with other migrants, many of my research participants responded by seeking to distance themselves from stigmatised identities ‘here’ and stressing their superior position ‘there’. They were not the real ‘migrants’, they told me, not poor, uneducated, low skilled, ‘illegal’, promiscuous, or criminal like the other Brazilians in London. They did not wish to live amongst the ‘Brazilian community’ in areas of London where real migrants live but rather in areas where there are just ‘beautiful [in other words, white] people speaking English on the street’, where ‘everything is clean and you don’t see rubbish on the floor, or a bunch of ugly, smelly people that make you feel you are in Africa, not in Europe’.

Moving Difference documents the ways in which Brazilians in London negotiate and recreate difference in terms of class, region, gender, ‘race’, ‘culture’ and documental status and examines the connected histories and social imaginaries of ‘race’ and degradation that allow us to make sense of the very visceral racial, classed, gendered and regional disgust expressed by my Brazilian research participants (especially white and lighter skinned middle-class participants) when speaking of their co-nationals and of other migrants and their ‘spaces’. Although their disgust is expressed ‘here’, in London, the feeling has its origins in the colonial presence of Europeans and enslaved Africans ‘there’, in Brazil – a past hat has historically shaped Brazilian projects of ‘race’ and nation as well as continuing to inflect the lives of Brazilians in London today.

After abolition in 1888 Brazil embarked on a whitening project – influenced by eugenic racial assumptions – which incentivised European immigration as way to ‘civilise’ the new nation by ‘improving’ its mixed ‘blood’. This new population of European (and Japanese) migrants was concentrated almost entirely in the south and south-east of Brazil, regions that, since independence, had acquired the central position in the national economy, especially with the production of coffee and, later, industrialisation. At the same time, without access to land or any form of state compensation, an entire class of black and ‘mixed’ people – the formerly enslaved and their descendants – as well as lighter-skinned poor Brazilians (often from the Northeast) have been marginalised both in the configuration of urban space and in the labour market, dealing with daily exclusion, discrimination, degradation and state violence.

Living as ‘sub-citizens’ in the urban poor peripheries and/or slums of the southern cities, they have been used by the middle class and the elite as a cheap, precarious labour force to undertake the most ‘unqualified’ activities – ‘dirty’ and ‘heavy’ activities for men and domestic and sexual labour for women. They are socially imagined as repulsive bodies, blamed by the middle-class and the elite for Brazil’s supposed failure to become fully developed/modern/civilised, and often executed on the streets by the police. As a way to deal with such historical exclusion, Brazilians constantly negotiate racism through hierarchies of colour/hair and class positioning, attempting to distance themselves from any trace of Blackness/poverty that could lead to their identification as a ‘degraded body’.

Today, Brazil’s colonial and racial histories play an important role both in generating the desire to travel and determining whether and how journeys are undertaken. While many Brazilians believe that moving to London will allow them to achieve the material and cultural ideals of a ‘modern’ Western lifestyle that is impossible to attain in ‘not fully modern’ Brazil, the lighter-skinned descendants of European participants in Brazil’s whitening project enjoy greater freedom of movement in Europe and so find it much easier to realise their ambition to move to London. But once in the UK, they find themselves realigned in the constellation of ideas about race, modernity and human worth in such a way as to stand precariously close to those who are socially imagined as disgusting, degraded, uncivilised. Meanwhile, darker skinned/black and working-class Brazilians who do manage to move to London come to perceive that their physical mobility (previously imagined as a straightforward marker of progress and privilege) also carries the threat of social and racial immobilisation: they might be fixed ‘here’ in ways that they are not rigidly contained ‘there’.

Taking the configuration of the social world as a continuum, made of connections, ambivalences and paradoxes, Moving Difference offers a lens on how the global mobile present is connected to the global legacies of the colonial past. The lives of Brazilians in London shed light on how ‘here’ and ‘there’, ‘present’ and ‘past’, are always entwined – creating and recreating racialised inequalities and difference, including unequal access to the privilege of mobility.

Angelo Martins Junior is a Research Associate in the School of Sociology, Politics and International Studies at the University of Bristol. He is working on the ERC research project ‘Modern Marronage: the pursuit and practice of freedom in the contemporary world’. 

You can purchase Moving Difference: Brazilians in London (2020) through the publisher, Routledge, or through your local, independent bookseller.